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MTV News


Kanye West Turned To Media Coach For 'Today' Interview

Posted: 12 Nov 2010 06:32 AM PST

New York Times reports MC enlisted the assistance of a public-relations firm to prepare for now-infamous sit-down.
By Mawuse Ziegbe


Kanye West appears on the "Today" show with Matt Lauer
Photo: NBC

Despite Kanye West's denouncement of his recent "Today" show interview, the MC initially took the sit-down very seriously, according to The New York Times.

The paper reports that Yeezy recruited public-relations firm Rubenstein Communications to prep him for his sit-down with Matt Lauer. Although he's currently shunning all things related to "Today," the MC reportedly approached the program about responding to President George Bush's thoughts about West's Hurricane Katrina telethon outburst during a recent interview on the NBC show. The "Power" MC apparently brought in the firm to make sure his comments about the former commander in chief were communicated effectively.

However, after watching the prime-time Bush broadcast Monday, West and the firm decided the former president didn't say enough about the MC to warrant a lengthy sit-down. Yet, Tuesday morning, the MC's team decided the interview was back on, apparently without the knowledge of the Rubenstein coach who had to hustle to the studios to help his client.

During the conversation with Lauer, 'Ye bristled at the show's use of footage from Bush's interview and West's 2009 MTV VMA run-in with Taylor Swift while he was speaking. The MC blasted the show on Twitter after Tuesday's taping, and the "Today" show defended its use of running archival footage during interviews, which is a common broadcast practice not unique to the program. West posted another emotional screed Friday morning (November 12) announcing that he was pulling out of a scheduled "Today" concert on November 26.

"I'm not performing on the 'Today' show for obvious reasons," West wrote. "I'm so happy the world got to see a small piece of 'the set up.' I blatantly said I'm not performing [on the show] on a tweet ... and the next day they still announced a performance."

He also broke down his issues with the use of the footage, which he maintained was used to "prompt his emotions."

"I want you guys to look at that footage and start to put everything together now. It's very simple to call someone angry or spoiled or the one thousand names I've been called, but it's harder to try to take a look at what's really behind the curtain," he wrote. "I'm so happy that my real fans are not as 'basic' as the media makes them out to be. Did you see them try to justify playing the audio [of West's infamous VMA run-in with Taylor Swift] under my interview? Yo, sometimes you're just wrong and it ain't nothing you can say to justify it. Believe me, I know!"

Since the fallout from the interview, the firm and West have parted ways, according to the Times.

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Nikki Blonsky Recalls Belting At Funerals On 'When I Was 17'

Posted: 12 Nov 2010 07:04 AM PST

'Hairspray' star remembers singing for the dead in episode premiering Saturday at 11 a.m.
By Mawuse Ziegbe


Nikki Blonsky appears on "When I Was 17"
Photo: MTV News

When "Hairspray" star Nikki Blonsky was an aspiring entertainer, nothing could stop her from getting seen — not even death.

Due to her willingness to show off her pipes at any occasion in her hometown of Great Neck, New York, the budding starlet gained a reputation as the go-to gal for the town's entertainment needs, even for dearly departed residents.

"I was known as, like, the town singer. If anyone needed me to sing like ... for the Veterans Day parade, I was there. I was also the girl that was known for singing at funerals," she says in the latest episode of "When I Was 17," which also features stories from Nigel Barker and Angelina from "Jersey Shore." "I was always under the impression, like, 'Well, you never know where you can get noticed.' So I spent a lot of my weekends at funerals."

"It was cool that Nikki could go out and make a sad situation happier," her brother Joey observes.

The "Huge" star recalls one occasion where subpar audio equipment forced Blonsky to deliver an exceptionally loud performance to mourners.

"This one funeral, the mic was just broken. So I just had to sing extra loud as they were, like, proceeding out with the coffin," Blonsky recalls. "I'm trying to belt out 'Ave Maria,' which is such a beautiful song, it's supposed to be so delicate, and I'm singing it like I'm in Giants Stadium so everybody in the back row can hear me."

Blonsky weathered the audio snafu because, ultimately, it was all about giving the deceased a respectful sendoff.

"I wanted the person to have a nice goodbye," she says.

"When I Was 17" — this week featuring "Jersey Shore" star Angelina, Nikki Blonsky and Nigel Barker — premieres Saturday at 11 a.m. on MTV

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The Situation Shows 'Jersey Shore' Pride With His Car

Posted: 12 Nov 2010 03:00 AM PST

'It says 'Situation' on the back of the car, and people are honking the horn and fist-pumping,' he tells MTV News.
By Jocelyn Vena, with reporting by Jim Cantiello


Mike "The Situation" Sorrentino
Photo: Andrew H. Walker/ Getty Images

Mike Sorrentino has reportedly made millions since he rose to fame as the lady-loving, fist-pumping Situation on "Jersey Shore." And while he is humble about his success, he does admit that he made one major purchase since GTLing his way to the top.

"I bought a car for myself and my sister, my baby sister," he told MTV News. "My license plate I did get registered, and it is S-I-T-C-H ... so that's pretty cool."

One might think the Sitch would want to keep a lower profile out in public, but he doesn't mind the attention at all. "On the back of my car, it says 'The Situation' in letters. It's pretty fun," he explained. "I work so much, I've been blessed to be busy, but when I have time and I'm able to drive my car, which is a couple times here and there, you know, it says 'Situation' on the back of the car, and people are honking the horn and fist-pumping, and it's really, really cool. I'm very flattered and I'm very happy. Things are going very well."

Things are going so well he's even managed to release a book, "Here's the Situation: A Guide to Creeping on Chicks, Avoiding Grenades, and Getting in Your GTL on the Jersey Shore," and he says the sky's the limit for him.

"I've realized what I want to do in life in that I just love being in front of the camera," he said. "I love being an entertainer. It's almost been a lifelong journey to find out what I wanted to do. I'm so happy to be here, and everything's been going great. I have the Situation book, the guide to being a 'Situation.' "

Will you honk and wave if you see the Sitch-mobile out in public? Let us know in the comments!

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Lloyd Banks Weighs In On Game's Attempted Reunion With 50 Cent

Posted: 11 Nov 2010 10:54 PM PST

'I can't honestly take that situation seriously,' G-Unit MC tells 'RapFix Live.'
By Paul Cantor, with reporting by Sway Calloway


Lloyd Banks
Photo: MTV News

Lloyd Banks joined Sway on Thursday for his second visit to "RapFix Live," and during their chat, Banks was asked by a fan about 50 Cent's upcoming album.

"It only takes one record to build a masterpiece," Banks said. "When I heard 'What Up Gangsta,' I knew it was enough to build [50 Cent's first LP, Get Rich or Die Tryin'] around that. We come from the same vein. You know most of it's gonna be aggressive, and then the creative flow gonna come out on different times, different records. I just got off the phone with him before I got here. And he was like, 'It only takes one record. I think I made it last night.' I'm excited to hear it."

Banks was also asked about Game's recent attempts to reconnect with 50 Cent. The Compton MC had been tweeting incessantly at 50 Cent earlier in the day, trying to get Fif to reply.

Game tweeted, "@50cent All it take is "ONE PHONE CALL" ! U call me, I call BUCK, tell Banks holla at Yayo & dat puts HIP HOP @ OUR MERCY ! #UknowUcdisN---A."

50 Cent tweeted back, "what are you guys talking about i dont talk to game i have had no communication whit him in years."

Banks dismissed any chance of a reunion, saying the strategy behind G-Unit's sudden re-emergence has little to do with the crew itself, but more so the individual moves of the artists in the camp. In that respect, there would be no reason to reunite with Game, because he's not doing enough on his own.

"I can't honestly take that situation seriously," Banks said. "This time coming around, it was more about us as individual artists building up our brand to eventually come together to form the monster they know as G-Unit the crew. Not to form the crew G-Unit to better our career as solo artists. We did that dance already. 50's first album led into the G-Unit album, which led into my album. Now it's time to pay 50 back. It's time for me to make it easy on him. Not go to 50 to make it easy on us."

Do you want 50 Cent and Game to make up? Let us know in the comments!

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Justin Bieber Injures Knee During Concert

Posted: 11 Nov 2010 11:01 PM PST

Rep confirms the singer was hurt onstage but 'finished his set' in Cleveland Thursday night.
By Jocelyn Vena


Justin Bieber (file)
Photo: MTV News & Docs

Justin Bieber injured his knee during his tour stop in Cleveland on Thursday night. Sources close to the singer described the injury as minor, according to initial reports by TMZ.

Bieber reportedly hurt his knee midway through the show at Cleveland State University's Wolstein Center, but continued to perform. Gossip Cop reports that the singer said, "I twisted my knee pretty bad."

A rep for the singer told E! News, "Justin was seen limping onstage last night, however, he finished his set. We are hoping it's just a bad sprain."

A rep for the singer had not responded to MTV News' request for comment at press time. However, a source told E! that shortly after wrapping up the show, he went straight to his tour bus to rest. The singer's next concert is scheduled for Saturday at the Norfolk Scope Arena.

This isn't the first time Bieber has injured himself at a show. Last fall, almost a year to the day, the singer injured and broke his foot during a show in London, where he was opening for fellow superstar Taylor Swift at Wembley Arena.

He tweeted about the injury at the time, saying, "In the last song, 'One Time,' I tripped over something onstage coming down the ramp and felt my ankle roll in a very bad way. Turns out I fractured my foot and had to finish the song on a broken foot."

Bieber has not tweeted about his most recent injury.

In better news, Bieber's new track, "Pray," hit the Internet on Friday (November 12). The song will be the only new track featured on his latest release, My Worlds Acoustic, out on November 26.

Share your get-well wishes with Justin in the comments!

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Rick Ross Recalls 'Pressure' Of Kanye West's 'Devil In A New Dress'

Posted: 12 Nov 2010 01:41 AM PST

My Beautiful Dark Twisted Fantasy song 'one of the dopest verses I did this year,' The Boss says.
By Jayson Rodriguez, with reporting by Joel Hanek


Rick Ross
Photo: MTV News

The Boss delivered in the nick of time.

According to Rick Ross, the Miami rapper gave Kanye West his verse for the revamped "Devil in a New Dress" as the deadline drew near for West to turn in the completed My Beautiful Dark Twisted Fantasy collection.

"I got a call, they wanted me to be a part of that record," Ross told MTV News on the red carpet at Wednesday's Soul Train Awards. "It was actually the last day before Kanye had to turn the record in, and I think that pressure just made it that much more special to me. So I just sat there, approached the record openly and as straightforward as I could. When I laid the verse, 30 minutes later, I was extremely happy. I sent it to him, and he was too. I think it was one of the dopest verses I did this year."

Ross appears on the tail end of the track, which premiered as a part of West's "G.O.O.D. Friday" series in early September.

Originally, the song — produced by Bink — was sparse, with a tickling piano chord and a smooth Smokey Robinson vocal sample as West raps a slick story about love and lust.

The re-engineered "Devil in a New Dress" features a synth-heavy breakdown, complete with guitar riffs, before Ross arrives, spitting: "I never needed acceptance from you outsiders/ Had cyphers with Yeezy before his mouth wired/ Before his jaw shattered, climbing up the lord's ladder/ We still speeding, running signs like they don't matter."

Ross spent time last winter working with West on his project. The two completed Ross' "Live Fast, Die Young," and the Miami rapper appeared on West's "Monster."

In a July appearance on "RapFix Live," The Boss compared the recording sessions to school. "It's like everybody is a student: You walk into a session, and it's all about the subject at hand," he explained.

What were your favorite Ross verses this year? Tell us in the comments below!

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Nigel Barker Remembers Motorcycle Crash On 'When I Was 17'

Posted: 12 Nov 2010 03:20 AM PST

'America's Next Top Model' judge recalls liquid lunch that ended in disaster on episode premiering Saturday at 11 a.m.
By Mawuse Ziegbe


Nigel Barker appears on "When I Was 17"
Photo: MTV News

"America's Next Top Model" judge and photographer Nigel Barker used to spend his time off as a teen hanging out at his brother's place in Europe. But in the latest episode of "When I Was 17," which premieres Saturday at 11 a.m., Barker recalls one vacation that went from idyllic to disastrous.

"I used to go and spend every summer in Spain at my brother's house. This particular year, he decided he was gonna leave me for a month, which I thought was actually fabulous," Barker says in the episode, which also features teen tales from "Jersey Shore" star Angelina star Angelina and "Hairspray" star Nikki Blonsky. "Unfortunately, for him, not for me, he left me with his motorcycle."

Barker couldn't resist a joyride or two, and after swiping his bro's bike, he headed to a pal's place for some food. However, despite having to hit the road later, he washed down the grub with a brew.

"I remember going around to my friend's house and having lunch. I stupidly also had a beer. Don't drink and drive, folks, and here's the moral of the story," he advises.

The midday meal ended with a catastrophic crash, as Barker was too tipsy to even get the motorcycle onto the road.

"I left my friend's [driveway], and literally as I went out the [driveway], I immediately hit the ground," he says, with a smack of his hand. "[I] skidded all over this gravel, ripped up my leg and one of the prongs of the actual wheel went straight through my foot."

"When I Was 17" — this week featuring Angelina, Nikki Blonsky and Nigel Barker — premieres Saturday at 11 a.m. on MTV

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Swedish House Mafia's Steve Angello Previews WMC 2011

Posted: 12 Nov 2010 04:06 AM PST

Producer's Size Records label looks to make waves for a second year.
By Adam Stewart


Swedish House Mafia's Steve Angello
Photo: MTV News

Buy your plane tickets, kids. Believe it or not, the 2011 Winter Music Conference is just around the corner. And we're not the only ones getting ready for the mother of all dance-music events; Swedish House Mafia's Steve Angello, and his rapidly expanding label Size Records, is already busy planning for this year's festivities.

"I'm doing a Size party again like last year, but [this year], it's going to be big," Angello told MTV News.

Not that last year's Size Matters pool party at the Eden Rock was small, by any stretch of the imagination. In fact, with names like Afrojack, Laidback Luke and Funkagenda touching the quadruple Pioneer CDJ 2000 setup, it was one of the premier pool parties to catch. When the always-humble Angello said "big," he really meant "massive" — so massive, in fact, this year's party will include 26 DJs spread out over a 14-hour day in the sweltering Miami sun.

Who might we catch tearing up the decks at this year's event? Most likely Angello's younger brother, AN21 — who, along with Steve, released Size's first-ever compilation album Size Matters this week — as well as loads of world-class DJs and producers, many of whom are featured on the LP.

This year alone, the likes of Eric Prydz (Cirez D), Tim Berg (Avicii), Max Vangelli, Pete Tong, David Spoon, Kim Fai, Junior Sanchez and Thomas Gold (to name a small few) produced tracks under the Size label, which means the potential set list is very promising.

But it's not just Size Records warming up for the fun. According to Angello, Swedish House Mafia are already working on this year's Miami Monster. After two consecutive years reigning supreme at the conference, (with "Leave the World Behind" and "One," respectively), the Swedes have become WMC's perennial powerhouses, and expectations are extremely high. Steve gave us the heads-up that the whole gang sat down in the studio last month and got rolling on some more musical magic.

Have you started planning your WMC trip yet? Let us know in the comments below!

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'Unstoppable': Five Secrets Revealed

Posted: 12 Nov 2010 01:52 AM PST

Full-throttle action film's editor fills us in on a 'Top Gun' connection, the versatility of corn snacks and more.
By Eric Ditzian


Denzel Washington in "Unstoppable"
Photo: 20th Century Fox

For the past couple of months, MTV News has been taking you behind the scenes of Hollywood's biggest movies, showing you how cool scenes and stunning effects are created. We've touched on Taylor Lautner's CGI wolf in "Eclipse," the scariest moments in "Paranormal Activity 2," the wackiest bits in "The Other Guys" and much more.

Now, we run up against "Unstoppable," the Tony Scott-directed, Denzel Washington-starring flick about a runaway train carrying a cargo of toxic chemicals. Scott's longtime editor, Chris Lebenzon, gave us a call and revealed a few secrets behind the production.

Scott Shot 30,000 Minutes of Film for a 99-Minute Movie
Perhaps the most impressive aspect of the film is that the audience spends a great deal of time watching trains shoot across the screen, and yet the scenes never become repetitive or yawn-inducing. The key here is simply that Scott shot so much freaking footage.

"Tony shoots so much with so many cameras, and we placed them in the best possible places to make everything look different," Lebenzon explained. "He shot 30,000 minutes of footage. He had cameras in the sky, in the ground. Tony shoots with long lenses and a lot of foreground, so it gives you the illusion that the environment is speeding by. Sometimes we sped up shots and sometimes we slowed others down."

The filmmakers also spent a great deal of time turning the runaway train, which they referred to as "triple 7, " from an inanimate object into essentially the film's villain. "Creating the sense of the beast of 777, which was really the antagonist — that was very important," Lebenzon said. "Not only picking the right shots, but selecting where they would go to build the most impact throughout."

The Key to 'Unstoppable' Is 'Top Gun'
Many folks have noted the similarity between "Unstoppable" and Scott's "The Taking of Pelham 1 2 3" — both star Washington, both unfold aboard trains — but Lebenzon revealed to us that there's also a deep connection between "Unstoppable" and Scott's "Top Gun," which Lebenzon also edited.

"We learned a lot on 'Top Gun,' because they were in a control room on an aircraft carrier. You learn when is the most exciting time to cut back to the control room in the middle of the action. We carried that through to 'The Taking of Pelham.' And so we really knew what we were doing when it came to those cuts on 'Unstoppable.' "

Early Cuts Stole From 'Runaway Train'
One of the most high-stakes scenes in the film is when a Marine is lowered down from a helicopter and attempts to land on top of the speeding train. Lebenzon told us that filmmakers originally didn't have the shots they needed, and so they temporarily inserted clips from other flicks, including the 1985 Jon Voight-starring "Runaway Train."

"We stole a bunch of shots as placeholders from 'Runaway Train,' " he said. "We borrowed other shots from 'The Taking of Pelham' and different trick shots from other movies and then went back and shot them ourselves as recently as eight weeks ago. The shot of the Marine smashing through the glass windshield — we did that two months ago."

Denzel's Stunt Double Looked Nothing Like Him
God bless Denzel for taking part in as many action sequences as he did — including a few that had him running and jumping on top of the moving train (albeit while secured with safety wires that were later digitally erased). But the filmmakers, of course, had to use stuntmen as well, and Washington's simply looked nothing like him. Thanks to some nifty editing choices, however, audiences can't tell the difference.

"[Denzel] did those stunts a few times on ropes that we then erased with visual effects," Lebenzon said. "Then we had to get the right stunt double who didn't look like he was laboring too much but also didn't make it look too easy. How old should he be? He didn't look like Denzel at all, but we cut it fast enough that it didn't really matter."

Chris Pine's Nemesis Is ... Corn?
Moviegoers are savvy these days. They can tell the difference between a visual effect and a practical one. And "Unstoppable," it is apparent from the get-go, employed very little CGI.

"This movie didn't have too much visual effects — to the delight of the studio when they realized how much money we were saving them," Lebenzon said. "For something like when 777 goes around a big curve, that was visual effects, because you can't tip a train. But people were still worried the train was going to tip when Tony shot it. It didn't, thankfully."

Most of the time, though, Scott and his team relied on practical effects, such as during a scene in which Washington's co-star, Chris Pine, straddles two train cars in an attempt to connect them. "He did a lot of that stunt work himself," Lebenzon said. "Then the car bursts open and all that stuff starts flying out at him. The stuff they used was actually some kind of kernel corn that was flying in his face. Movie magic!"

Check out everything we've got on "Unstoppable."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

50 Cent 'Taking It Back To The Old 50,' Surf Club Producers Say

Posted: 12 Nov 2010 12:26 AM PST

Plus: Freeway reunites with Jake One for Diamond in the Rough, in Mixtape Daily.
By Jayson Rodriguez, with additional reporting by Matt Elias


Surf Club's Chase N. Cashe and Hit-Boy
Photo: MTV News

Behind the Beats: Surf Club's Hit-Boy and Chase N. Cashe

They're the production team behind Lil Wayne and Eminem's "Drop the World," and they have more range than Stephen Curry. Hit-Boy laced R&B diva Mary J. Blige with her stirring hit "Stronger," and Chase N. Cashe delivered the loopy "Pass the Dutch" to the Young Money crew.

"We're producers, and we lead a brand called the Surf Club. We're artists, we got writers and producers, so, you know, catch us everywhere," Chase told Mixtape Daily.

Next Wave of Flav

On 50 Cent: "I went to play him some music and vibe and hear where he was going with it," Hit-Boy said. "He's taking it back to the old 50. And he had some new records that were some different-sounding stuff too. I'm excited to see how people react to it, and hopefully we end up with some stuff on the album. I gave him some stuff he really loved. It's really a blend of the old 50 mixing with the new stuff that he's doing. It's crazy."

On Kent M$NEY and Chili Chill: "Kent M$NEY just dropped a mixtape, Becoming. Chili Chill is dropping a mixtape called Cold World," Chase said of their SC artists. "We got me and this guy producing for ... you name it, so continuous music coming from us, man."

The Streets Is Talking: News & Notes From the Underground

Freeway is back in the lab working on the follow-up to his and Jake One's The Stimulus Package. The Philadelphia MC is locked in with Jack One again, but for the project, a mixtape titled Diamond in the Rough, he's reaching out to an array of beatsmiths.

So far, Jake One, Just Blaze, Don Cannon and B!nk have made the cut, according to the former Roc-A-Fella rapper.

"When you find a producer and you lock in with them, and when I first worked with Just Blaze, the chemistry was there," Free told us about putting together his projects. "Once you get that, every beat you get is crazy. It's easy. So that makes for good work.

"The majority of [the mixtape] is Jake," he added. "But I got some joints from Just, a couple from B!nk. He just brings that energy. I got some joints from Don Cannon. I'm just working and trying to put some things together."

For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.

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Kanye West Cancels 'Today' Show Performance

Posted: 12 Nov 2010 05:51 AM PST

'I blatantly said I'm not performing,' West tweets from Dubai Friday morning.
By James Montgomery


Kanye West appears on the "Today" show with Matt Lauer
Photo: NBC

On Thursday morning, the "Today" show aired its much-discussed interview with Kanye West, which concluded with host Matt Lauer announcing that West would return to the show on November 26 for "a special live concert on the plaza."

And though, earlier in the week, West seemed to be announcing he'd take a break from Twitter when he wrote, "Gonna sit these next few plays out," Lauer's announcement apparently forced him to strap the pads back on. Early Friday morning (November 12), 'Ye took to his Twitter account once again (from Dubai) to continue his screed against the show.

"I'm not performing on the 'Today' show for obvious reasons," West wrote. "I'm so happy the world got to see a small piece of 'the set up.' I blatantly said I'm not performing [on the show] on a tweet ... and the next day they still announced a performance.

"Do you guys see what I'm saying now?" he continued. "This is just a small slice of the day-to-day bullsh-- that goes on that helps to precipitate the idea that I['m] such an a--hole. Cause when I don't perform 'Oh Nooow I'm the one that's crazy or a jerk.' "

The tweet West was referring to was a message he posted on Tuesday, in which he wrote, "I don't mess with Matt Lauer or the 'Today' show ... and that's a very nice way for me to put it." Whether or not that constitutes him "blatantly" announcing he would not perform on the show is a matter that could be debated endlessly, but West wasn't about to allow semantics to slow him down, as he continued dissecting his "Today" interview in a series of messages.

"I want you guys to look at that footage and start to put everything together now. It's very simple to call someone angry or spoiled or the one thousand names I've been called, but it's harder to try to take a look at what's really behind the curtain," he wrote. "I'm so happy that my real fans are not as 'basic' as the media makes them out to be. Did you see them try to justify playing the audio [of West's infamous VMA run-in with Taylor Swift] under my interview? Yo, sometimes you're just wrong and it ain't nothing you can say to justify it. Believe me, I know!"

West then shifted tones, writing, "I'm not complaining. I'm tweeting because I'm so happy you guys got to see this sh-- really go down." And he made it clear that he's already moved on from the incident, extending an olive branch to Lauer and the entire "Today" show staff. Sort of.

"I don't hate Matt Lauer ... we don't promote hate. That's the whole point. I promote love and truth," he wrote. "You know what? We off that! They made a mistake. They thought they could pull it but they couldn't. That was just a small representation of a bigger media play that's been going on since the beginning of time. All positive energy ... all smiles. Much love to Matt and the whole 'Today' show. I accept ya'll future apology in advance."

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Fergie Says No Solo Album, For Now

Posted: 12 Nov 2010 12:52 AM PST

Black Eyed Peas' leading lady focused on release of The Beginning.
By Jocelyn Vena


Fergie
Photo: Emmanuel Dunand/ Getty Images

Fergie has never been shy about stepping out of her role as the leading lady in the Black Eyed Peas to pursue her solo career. Her smash 2006 solo album, The Dutchess, proved that Fergie could rule the charts on her own. But right now, the Dutchess says she's focused on her work with the group and has no plans to go solo again anytime soon.

"Definitely, in my lifetime, [but] not in the near future, no," she told reporters at the Glamour Women of The Year Event on Monday in New York City.

Fergie admitted that she has too many other balls to juggle at the moment to find time to work on more of her own music: "We have The Beginning, which is coming out now, so I'm all about Black Eyed Peas right now... and Slash, my inner rock chick coming out in that world. I've got my footwear that I'm concentrating on; that's a big [project]." Fergie appeared on Slash's solo LP this year, singing on the track "Beautiful Dangerous."

On the Glamour red carpet, Fergie also dished on The Beginning, due out November 30. "You should expect deeper, a little bit darker electro beats and a little bit more of relationship issues on this one," she explained. "A lot of funny stuff, as well."

The group already has given fans a taste of what that means in the form of the album's first single, the super-techno dance track "The Time (Dirty Bit)," which samples the iconic theme from "Dirty Dancing," "(I've Had) The Time of My Life."

Fergie said the song sums up the group's current vibe: "I think it's crazy the way the world works, because ['Dirty Dancing' star] Jennifer Grey is now on 'Dancing With the Stars,' and for some reason that song ['(I've Had) The Time of My Life'] kind of meant something to us, because we have had an amazing run.

"I mean, it just keeps going, and it keeps going. And we really feel like we have had the time of our lives together. And that song reminds me of [Grey] and 'Dirty Dancing' and that whole time, so it all fit."

What would you like to see Fergie do next? Tell us in the comments below!

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