Minggu, 20 Maret 2011

MTV News

MTV News


Hanson Take MTV News Inside Their SXSW 4 Japan Benefit

Posted: 19 Mar 2011 03:19 AM PDT

Band organized the event in less than 12 hours, to benefit the Red Cross's relief efforts in Japan.
By James Montgomery


Photo: MTV News

AUSTIN, Texas — Like most folks, Taylor Hanson has watched the events unfolding in Japan with a mixture of sadness and shock, not to mention an overwhelming urge to help out in some way.



Of course, unlike most folks, he also fronts a massively popular band: Hanson. And since he and his bandmate brothers were already down in Austin for South By Southwest, he quickly realized how he could help those still reeling in the aftermath of the massive earthquake and tsunami that ravaged the nation: by throwing together an impromptu benefit show, streaming live for 12 straight hours over at SXSW4Japan.org.

So, in less than a day, he and his brothers placed calls to their fellow musicians, found a studio compound outside downtown Austin, and got to work. And on Saturday, MTV News showed up to capture some of Hanson's efforts first hand.



"We came down to this festival hearing about the issues in Japan, and, honestly, kind of assumed there was going to be more of a co-ordinated push," Taylor Hanson told us. "You know, with South by, everybody's here to promote their thing, and they're kind of in a bubble, and I think there just hasn't been ... from South by Southwest, from the big guys, kind of [a message of] 'Hey, this is important, do something.'"



And so, much like everything Hanson does, the brothers took it upon themselves to spearhead the SXSW 4 Japan benefit, a live Web broadcast featuring performances and messages from the likes of Michael Stipe, John Hermann of Widespread Panic, the Court Yard Hounds. And, of course, Hanson themselves.



"We kind of like to get our hands dirty ... And we said, 'You know what? Let's just start doing something,' and the more we talked about it, we said 'This needs to be something that everybody's doing,'" Taylor said. "South By Southwest needs to say to the world that the music business is behind the effort to bring relief and bring aid to those that are struggling in Japan right now."



Fans can donate to the Red Cross's disaster relief efforts through the SXSW 4 Japan site, or by texting "Redcross" to 90999. It's just the first step in Japan's ongoing recovery, but Hanson hope that their effort won't be the last of its kind. Because, really, in situations like this, musicians possess more power than they could possibly imagine.



"Part of what's great about this is that music does inspire people to do stuff," Taylor said.

The SXSW 4 Japan livestream is live at SXSW4Japan.org . Fans can spread word via Twitter, using the hashtag #sxsw4japan.

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Robert Pattinson Says He And Kristen Stewart 'Have Different Ways Of Thinking'

Posted: 19 Mar 2011 12:30 AM PDT

On 'MTV First: Robert Pattinson,' he opens up about 'Twilight' co-star.
By Aly Semigran, with reporting by Josh Horowitz


Kristen Stewart and Robert Pattinson in "Eclipse"
Photo: Summit

Robert Pattinson and Kristen Stewart clearly have a connection: From their onscreen chemistry in the "Twilight" saga to their real-life romance, the two stars undoubtedly see eye-to-eye on a lot of things. That is, however, except for how they approach their careers as performers.

During his live 30-minute chat with us for "MTV First: Robert Pattinson," the actor discussed the differences between his outlook on the acting process compared to KStew's.

"We just have different ways of thinking," Pattinson explained. "I like the kind of cerebral aspect of things, and she has kind of an immediate emotional response to stuff every single time."

In fact, their approach to things in real life often reflects their decision-making as actors. "She can be thrown by something someone says and notices much more about people, whereas I just want to see the meaning of something," the 24-year-old star of "Water for Elephants" explained.

So, how does RPattz's more-mental approach to acting bode with KStew's responsiveness? Not too well, actually. While Pattinson admitted he's someone who can't take on a project until he entirely gets it, Stewart will be the first to point out what there is to "get" is actually right there in front of him.

"She's like, 'Why can't you understand? It's obvious. You don't know, you shouldn't be an actor!' " RPattz described with a laugh.

But, then again, his approach to his acting career is very much rooted in instinct. "I don't want to just act for the sake of acting," he told us. "If I'm not doing kind-of cool stuff, then I don't want to be in front of people."

The star, who confessed he doesn't even like having his picture taken, added, "All I want to do is make movies that I want to see. I've always tried to go for that and ... you've got to go through lots of different hurdles to go to that level."

While he will continue to look for projects that challenge and interest him, he fully admitted he's not the type of actor who has a deep-rooted passion for the craft.

"I don't know what that feeling is," he said of the desire to act. "It's like, 'What do you want to do?' 'I want to read someone else's lines right now! I want someone to film me saying something!' It's, like, really weird."

Are you surprised to hear Robert Pattinson and Kristen Stewart differ so much in their approach to acting?

Check out everything we've got on "Water for Elephants."

For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.

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Hanson Teaming With SXSW For Japan Benefit Livestream

Posted: 18 Mar 2011 11:26 PM PDT

Event will stream live from South by Southwest on Saturday (March 19).
By James Montgomery


Photo: VH1

Hanson have announced plans for a 12-hour benefit livestream set for Saturday (March 19) at South by Southwest, to aid victims of the massive earthquake and subsequent tsunami in Japan.

The event, which will stream live at SXSW4Japan.org , features performances and appearances from Michael Stipe, John Hermann of Widespread Panic, the North Mississippi Allstars, the Court Yard Hounds, Bowling for Soup — to name just a few — plus Hanson themselves.

The benefit is co-sponsored by SXSW itself, which originally started with a goal of raising $10,000 for survivors of the disasters in Japan, a goal they've subsequently raised to $100,000 thanks to Hanson's involvement. Fans can donate through the SXSW 4 Japan site, or by texting "Redcross" to 90999. All funds go to the Red Cross's disaster-relief efforts in Japan.

An album version of the SXSW 4 Japan benefit will also be available for download from iTunes.

As Isaac and Taylor Hanson told VH1, the event came together at the last minute, with the band and the festival putting a call out to all the acts still in Austin for SXSW.

"We're really excited," Isaac Hanson said, "We've got a lot of bands that are going to be a part of this event, bands that are recording stuff, bands that are going to be live ..."

"It's a massive, massive issue that's really crippling a whole nation and a lot of people just like you and me," Taylor Hanson added.

The SXSW 4 Japan livestream begins at noon CT at SXSW4Japan.org . Fans can spread word via Twitter, using the hashtag #sxsw4japan.

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Robert Pattinson Reflects On His Hair Evolution

Posted: 18 Mar 2011 10:21 PM PDT

From 'The Wavy Forest' to 'The Cullen Pouf,' RPattz discusses 'dos on 'MTV First: Robert Pattinson.'
By Aly Semigran, with reporting by Josh Horowitz


Robert Pattinson in "Twilight"
Photo: Summit Entertainment

In his upcoming film, the 1930s period drama "Water for Elephants," based on Sara Gruen's best-selling novel of the same name, Robert Pattinson begins to show new depth and range as an actor. Plus, his hair looks really, really different.

Much like his career, RPattz's hair is evolving. So, when MTV News sat down with the star for "MTV First: Robert Pattinson," it seemed like the perfect time to reflect on the diverse coifs that have sent his follicle-obsessed fans into a frenzy.

From his "Twilight"-appropriate 'dos such as "The Wavy Forest" and "The Cullen Pouf" to the self-explanatory "Windswept 'What the F---' " to the more subdued and serious looks like "Controlled Chaos" and "Clean & Cut but Hold the Shave," Pattinson took a trip down memory lane of the many haircuts he's rocked.

"I always like ... the 'Forest' thing," he said. Turns out, that particular hair style carried him through what he describes as the "unemployable" phase of his career. While attending the Los Angeles premiere of "Harry Potter and the Order of the Phoenix" in 2007, Pattinson admitted to looking rather, well, unkempt.

"I walked down Hollywood Boulevard to Grauman's [Chinese Theater] and had to walk through the crowd and stuff," recalled the 24-year-old star who was not yet famous, adding, "I was so hungover and so bloated, and some of the pictures are just so funny. It literally looks like someone just found a homeless person and just put them on [the red carpet]. ... It was so ridiculous."

So, what is it that helps the star maintain that tousled, albeit sometimes homeless-looking hair? Courtesy of his "Twilight" co-star Ashley Greene, we asked RPattz what brand of shampoo he uses: "I use dog shampoo," he joked. In reality, he, like so many other sexy slacker types before him, simply uses, "Whatever is around."

But, the question remained: Would Pattinson ever rock the oh-so-sought-after Justin Bieber 'do? Despite rumors that he and his fellow heartthrob had discussed their hair together ("I never met this guy!" Pattinson told MTV), the actor was somewhat willing to take on the side-swept style. After laughing about the idea of sporting "The Bieber," RPattz quipped that instead he'd wear "a Bieber hat."

Which Robert Pattinson hairstyle is your favorite? Sound off in the comments below!

Check out everything we've got on "Water for Elephants."

For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.

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Bright Eyes Go To The Opera For Surprise SXSW Show

Posted: 19 Mar 2011 06:54 AM PDT

Conor Oberst dazzles in a secret gig held at a 130-year-old Austin opera house on Friday.
By James Montgomery


Conor Oberst (file)
Photo: Andrew H. Walker/Getty Images

AUSTIN, Texas — When one thinks of Conor Oberst, a 130-year-old opera house probably isn't the first thing that comes to mind. Or the second, for that matter.

And yet, on Friday night at South by Southwest, there was Oberst and his Bright Eyes band, standing beneath the crystal chandeliers and velvet drapes of the Austin Club, a lavish, limestone-layered building first opened in 1878 as the Millett Opera House. The occasion wasn't a wedding or a banquet (both of which the club plays host to on the regular these days), but rather, an AOL Pop Up Show, announced only hours beforehand, much to the delight of fans and SXSWers alike, who lined up early and hoped against hope that they'd be one of the lucky ones to snag a spot inside.

Of course, most were turned away. But the folks who made it past the front doors were treated to a shambling, rambling (though all-too-brief) Bright Eyes set, as Oberst and his six-piece ensemble ran roughshod over songs from the past decade of his songbook.

Needless to say, the band probably felt a little out of place — at one point, after surveying his stuffy surroundings, Oberst joked, "Have you guys ever been to the Haunted Mansion at Disneyland? Very soon the walls will start stretching to the stratosphere" — but if they were uncomfortable, they didn't show it, starting somberly with "An Attempt to Tip the Scales" (from 2000's Fevers and Mirrors) and building steam on "Hot Knives" (from '07's Cassadaga), the former featuring Oberst's warm, warbling vocals and the latter a stirring mix of wiring, winding guitars and wind-swept synths.

"Take It Easy (Love Nothing)" powered along with a pair of drummers, with Oberst flailing and hammering out chords on his electric guitar, and "Jejune Stars" (from his just-released The People's Key disc) was an exercise in frayed, frazzled fret abuse.

Of course, most Bright Eyes fans prefer Oberst's softer side, and they got that on "Beginner's Mind," which he prefaced with, "The next song is about trying not to become a cynical a--hole," and, thanks to some nifty vocal effects, sang as if his voice was at the bottom of a well. He also delivered a shuffling, austere take on "Bowl of Oranges."

He brought things to a hush with the stirring "Poison Oak," which started off whisper quiet, grew louder on winsome guitars, and then positively unspooled into an impressive din, pushed forward by a pealing organ line. The band continued that momentum with "The Calendar Hung Itself," a walloping, clomping stomper featuring dueling drummers and a blaring horn line.

And then, like most Bright Eyes sets, the band finished with "Road to Joy," which built to a froth and then, as Oberst spat, "Let's f--- it up, boys, make some noise!" boiled over into a squall of feedback and horns and organs. The crowd — some of whom had been waiting more than eight hours for this moment — losing their collective mind, surging forward and creating several worried looks amongst the Austin Club staff (thankfully, none of the good china was broken).

And when the band departed from the stage, the crowd chanted for an encore that never came. It was about the only down moment of the evening, but as those fans filed down the building's ornate staircase and out into the Austin night, you got the feeling they weren't focusing on the negative. It just didn't seem proper, given the surroundings.

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