Sabtu, 03 September 2011

MTV News

MTV News


Lil Wayne 'Glad' <i>Tha Carter IV</i> Leaked

Posted: 02 Sep 2011 09:58 AM PDT

Billboard reports C4 on pace to sell between 850,000 and 900,000 copies after album leaks five days early.
By Rob Markman, with additional reporting by Jim Cantiello


Lil Wayne
Photo: Kevin Winter/ Getty Images

In this digital age, album leaks are an accepted part of the music industry. So when Lil Wayne's Tha Carter IV was illegally pushed onto the Internet five days before its official drop, the Young Money honcho wasn't worried in the least.

"We did real good this time, real good," Wayne told MTV News correspondent Jim Cantiello after his show-closing performance at the VMAs in L.A. on Sunday. "It just means people want to hear it," he said. "I mean, 'cause there're people's albums that come out that can be leaked and don't leak, so I'm glad mines leaked."

Hear Weezy talk about having a "moment" with his show-closing VMA set!

After Jay-Z and Kanye West avoided a leak with their Watch the Throne album, many wondered if Wayne could do the same. But the YMCMB camp insists they aren't too concerned about how the leak may affect album sales. Via his Twitter account, Cash Money CEO Birdman has been promoting Weezy's album for the past week, even going so far as to predict that C4 would sell a million copies in its first week, just like Wayne's Tha Carter III in 2008. On Monday, he wrote, "C4.BMJR.#Dont Lie 1m. 1week They Know."

"I think we should still do well," Mack Maine told MTV News on Sunday. "The leak shouldn't have affected it that much. Actually, this is the first time that the albums leaked so close [to the release date]. Tha Carter III leaked two weeks before and we still did [1 million] the first week. So if history repeats itself, we shouldn't have any problems."

On Tuesday, after a full day of sales, Billboard reported that Tha Carter IV was on pace to sell anywhere between 850,000 and 900,000 copies in its first week. Meanwhile, HITS Daily Double estimated on Friday (September 2) that Wayne could move upwards of 975,000 copies, inching him that much closer to a milli.

Do you think Wayne will sell a million copies of C4 in one week? Make your predictions in the comments!

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Linkin Park 'Getting The Wheels Rolling' On Next Album

Posted: 02 Sep 2011 12:55 AM PDT

Chester Bennington tells MTV News that, while it's still early in the process, LP 'like the direction' new album is heading.
By James Montgomery, with reporting by Vanessa WhiteWolf


Linkin Park
Photo: Warner Bros. Records

Earlier this summer, when Linkin Park took over Moscow's Red Square for a historic — and decidedly Michael Bay-size — performance, they also spoke to MTV News about the follow-up to A Thousand Suns, which, at the time, was just beginning to take shape ("Right now, it sounds like blips and bleeps and pieces," frontman Chester Bennington described).

So, earlier this week, when Linkin Park took over Los Angeles' Mayan Theater for an equally historic — yet decidedly more personal — benefit concert for Japanese earthquake and tsunami relief, we got the chance to once again ask them about the new album. And, as Bennington explained, things have progressed — albeit just slightly.

"We just kind of began. We like to keep the creative juices flowing, so we try to keep that going all the time," he said. "We don't know when the next record is going to be done. We are in the beginning phases of that. We're still winding down A Thousand Suns and touring for that, so I can tell you we are working and we're excited, and we like the direction that we're going in."

Bennington added that the band has been working closely with producer Rick Rubin, who will once again helm the sessions for the yet-untitled disc. And though it's still early, Linkin Park are already pleased with the results.

"[Rick's] involved all the way, all the time, from the very beginning. You know, we ask him, 'What do you think of these ideas?' " he said. "And we're kind of getting the wheels rolling. ... It's so hard to talk about something that hasn't been created yet, but, like I said, we definitely like the way things are going already."

What are you expecting from Linkin Park's next album? Let us know in the comments!

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Evanescence, Matt Pinfield Remember 1991: When Rock <i>Rocked</i>

Posted: 01 Sep 2011 11:32 PM PDT

Pearl Jam's Ten, Soundgarden's Badmotorfinger celebrate 20th anniversary along with Nirvana's Nevermind.
By James Montgomery


Pearl Jam's <i>Ten</i>
Photo: Epic

As the music world gears up to celebrate the 20th anniversary of Nirvana's Nevermind, it's also bears mention that there were no shortage of other magical, massive and equally mythological albums that hit stores in 1991. To celebrate the year when rock truly rocked, MTV News has been asking some of today's biggest acts (everyone from Blink-182 to DJ Skrillex) to remember their favorite albums from that truly epic year.

So far, we've looked back at Metallica's Black Album, the Red Hot Chili Peppers' Blood Sugar Sex Magik, Dinosaur Jr.'s Green Mind, My Bloody Valentine's Loveless and Slint's Spiderland. And now, a couple of professional music fans reminisce about two other game-changing 1991 releases: Pearl Jam's Ten and Soundgarden's Badmotorfinger:

Pearl Jam, Ten
A little more than a year after they formed from the ashes of Seattle's Mother Love Bone — with an assist from a gas station attendant/surfer from San Diego — Pearl Jam roared to life with Ten, an album that not only ranks as a cornerstone of American rock, but one of the most successful debuts of all time. Few bands went from relative obscurity to international superstardom with the speed of Pearl Jam, a breakneck pace seemingly predicted on tracks like "Once" and "Why Go." Of course, Eddie Vedder's contemplative, everyman (yet otherworldly) ruminations on "Black" and "Jeremy" added depth and breadth to the sonic squall. A classic in every sense of the term, Ten remains Pearl Jam's most popular release to this day, and the fact that the band is still going strong proves that not all overnight success stories have to come with an unhappy ending. Also, rather indirectly, it remains the greatest thing Mookie Blaylock has ever been (loosely) associated with, even better than Oklahoma's run to the 1988 NCAA title game.

As Remembered by Amy Lee, Evanescence: "We moved from Rockford, Illinois, to Little Rock, Arkansas, when I was 13. It was really hard, you know, right at the wrong age, didn't have any friends, didn't know anyone, moved to a new school. It was real preppy, didn't fit in ... all that classic stuff. And, at the same time, there was some music that I was addicted to, like, needed it, and Pearl Jam's Ten was one of those records. I had the tape ... and I would listen to it, turn it over, listen to the whole other side, start it over again. All night. Like, I could just lie in bed and cry or think ... that was the outlet. I love that record. I love 'Black,' that song's just so totally beautiful, I could listen to that one over and over. 'Alive,' 'Jeremy,' probably the biggest song on the record for me. That video, that kind of horrifying, childlike experience, it completely moved me and touched me. That had to be the song for me. I wore that tape out, completely. And, I remember, the [liner] had them with their hands raised, together, and I had that on my wall. ... They felt like I felt, and their music described things I couldn't say out loud. And that idea and revelation was so inspiring to me, like, I wanted to live inside the songs."

Soundgarden, Badmotorfinger
They'd break through to the big time with the follow-up, 1994's Superunknown, but to the purists, Badmotorfinger remains Soundgarden's crowning achievement, a sludgy, leaden thing that channeled the bludgeon of Black Sabbath and the keening vocal pyrotechnics of a million hair-metal frontmen. And, in the process, the band created an album that was heavily indebted to the past, while still managing to forge new territory that left their grunge contemporaries (and contemporary critics) grasping at straws. Pounding, primal, precise ... all the adjectives apply here, and on songs like "Rusty Cage," "Outshined" and "Jesus Christ Pose," they often apply at the same time.

As Remembered by Matt Pinfield, host of MTV2's "120 Minutes": "Badmotorfinger is such a great record, and it says a lot about the band and their songwriting, just the crazy time signatures on tracks like 'Rusty Cage' and 'Jesus Christ Pose' — it took balls to write a song and do a video like 'Jesus Christ Pose' back in the day — but also, if you look at how songs like 'Outshined' have lasted, how incredible they are as a band. Chris Cornell, one of the greatest rock vocalists of all time, Kim Thayil, one of the most incredible guitar players, just dirty, sludgy, tuned-down. Ben Shepherd, a powerful bass player who plays rhythm with his bass, and, of course, Matt Cameron, one of the greatest drummers ... still going strong, looks as young as he did then, playing with Pearl Jam and Soundgarden. So, I love Badmotorfinger. It's one of the greatest albums in a year that had so many really great albums."

Share your favorite memories of 1991's seminal albums in the comments below!

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Jennifer Lopez Reveals First Fight Of New 'American Idol' Season

Posted: 02 Sep 2011 12:09 AM PDT

'I really felt like your blood was boiling,' Ryan Seacrest recalls in interview with J.Lo.
By James Dinh


Jennifer Lopez (file)
Photo: Getty/ Jason LaVeris

Jennifer Lopez is one woman who fights for what she believes in, and that's exactly what she did during a recent taping of "American Idol," when she got into a fight with fellow judges Randy Jackson and Steven Tyler over their decision to pass on a hopeful contestant.

"I think me, Randy and Steven got into our first fight," J.Lo admitted when she called in to "On-Air With Ryan Seacrest" on Friday morning (September 2). "I got really, really upset. There was this girl that came in and sang and she was amazing, amazing. And Steven, as he will do when we're doing our auditions, he'll ask her for another song. I was like, I was surprised because I was ready to vote. I was like, 'This girl is amazing.' "

After the contestant sang another tune, Jackson and Tyler quickly decided to pass on her, leaving Lopez feeling as if she "was being punk'd." In an effort to show the other judges their missed opportunity, J.Lo says she even urged producers to air the audition in a forthcoming episode.

"The thing I recognized from that scene was there was blood boiling for one of the first times. I really felt like your blood was boiling," Seacrest chimed in. During the interview, Lopez noticeably avoided any talk about her divorce from Marc Anthony, despite the fact that her soon-to-be ex discussed their split on ABC's "Nightline" on Thursday night.

Instead, Jenny from the Block spoke about her clothing line and gearing up to release the club-ready single "Papi." Lopez, who shot the video last month, described the track as a "celebration of being with somebody you really love" and explained how the song came to life.

"I was working in the studio with RedOne and his guys, and at the time, I was always kind of like, I always use the word 'papi,' " she recalled. "And they were like, 'We're going to write a song called 'Papi,' and we just wrote the song about loving somebody and just celebrating that."

Later this month, fans of the singer will see her perform the Latin-flavored single at the heavily promoted iHeartRadio Festival, on a bill that also includes Lady Gaga, Coldplay, Jay-Z and more.

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Meek Mill 'Ima Boss' Video Fulfills Boyhood 'Dream'

Posted: 02 Sep 2011 12:38 AM PDT

'As a young boy ... you had dreams of shooting a big video in your 'hood,' Philly MC tells MTV News of gritty clip.
By Rob Markman


Meek Mill
Photo: Jerritt Clark/ FilmMagic

It has been a breakout year for Meek Mill, and in his video for "Ima Boss," the Rick Ross protégé wanted to celebrate all things Philly.

"It felt good, man. That's what I always had dreams to do," Mill told MTV News about making a clip in his hometown. "As a young boy, you wanted to be a rapper, you had dreams of shooting a big video in your 'hood, everybody showing you love. It went exactly as planned."

Before Meek, rappers like State Property's Beanie Sigel, Freeway and Young Chris were the premier torchbearers for the city, and together they all appear in "Ima Boss."

"You know, they just came through and rocked out with me," Meek said of the cameos. "If they had a video, I'd come through and rock out; they wouldn't even have to call me. It's all love, it's all Philly at the end of the day," the Philadelphia MC added. "They opened the doors for me and I'm tryna open the doors for other people, so it's like we all work together to do the same thing at the end of the day."

The Benny Boom-directed video has no real bells and whistles, just a distinct street feel that has been absent in many of today's rap videos. Throughout much of the video, Meek Milli and his crew can be seen riding motorbikes through the streets, a visual that is reminiscent of DMX's 1998 "Ruff Ryders Anthem" clip. It is no coincidence.

"I used to always love those videos and I used to always run in the house and try to catch those videos coming on," the Maybach Music MC says of the old Ruff Ryders visuals. "The Eve videos, when Eve was sitting on the handlebars of the four-wheeler, I used to do that in the street just 'cause of the video."

Even the hefty Ross can be seen riding the streets of Philly on a four-wheeler. "He was with it, I was kind of skeptical about it," Meek said. "He was like, 'Whoa, let's ride through the 'hood!' I was like, 'You sure that's what you wanna do? This the jungle out here,' but he was with it. Ross is always like that when it comes to Philly." Like a Bawse!

What do you think of Meek's "Ima Boss" video? Tell us in the comments!

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Foster The People Talk 3-D 'Don't Stop' Video

Posted: 02 Sep 2011 12:02 AM PDT

Car chases and 'Precious' star Gabourey Sidibe could be on tap for upcoming clip.
By Gil Kaufman


Foster The People's Mark Foster
Photo: MTV News

Foster the People shot out of the box a few months ago with their summer smash "Pumped Up Kicks." The video for the song is lo-fi to be sure: some live footage of the New Wave-y trio performing mixed in with some wacky road-trip clips, camera-mugging and other goofball antics.

It was a modest launch but the irresistible song has continued to gain traction since it came out in February and it is now firmly in the #2 slot on the iTunes singles chart. With a little more scratch and recognition to their name, they recently followed with the big-budget-looking, apocalyptic "Mad Max"-inspired video for "Helena Beat." And now, according to lead singer Mark Foster, they're going really big for their next trick.

"We've got a couple videos shot already that are going to be coming out soon," Foster told us on the black carpet at the 2011 VMAs.

"We're shooting a new one in 3-D, actually in a week or two for 'Don't Stop.' It's going to involve a car chase and hopefully ['Precious'] star Gabourey Sidibe, if we can get her to be in it."

In the meantime, after killing it at big summer festivals like Coachella and Lollapalooza — not to mention earning two VMA nods for Best New Artist and Best Rock Video — the trio will be hitting the road hard for the rest of 2011. They'll be playing U.S. dates through the end of the month, and then take things overseas for European gigs through November.

(A spokesperson for the band's label could not be reached for comment at press time on when the "Don't Stop" video is slated for release.)

Are you excited to see FTP's next video? Tell us in the comments!

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'Apollo 18': The Reviews Are In!

Posted: 01 Sep 2011 10:56 PM PDT

Critics say the 'found-footage' film requires a suspension of disbelief to truly work.
By Terri Schwartz


"Apollo 18"
Photo: Dimension Films

"Apollo 18" is not a documentary — NASA made a point of clearing that up — but that doesn't mean that a certain suspension of disbelief won't make the movie a terrifying experience.

The flick is just the latest to cash in on the found-footage premise made popular in 1999's "The Blair Witch Project," but it is the first to bring that filmmaking style to outer space. Some critics thought the premise worked in its new location, while others felt the film lost its momentum in the second hour.

The consensus is that it either will work for you or it won't; which way will you sway? Check out what the critics have to say and make your decision in theaters this weekend.

The Premise
"These days, none but the most naive, gullible and uninformed of moviegoers would ever fall for the déclassé claim that a horror film purporting to consist of found footage is, in fact, real. 1999's 'The Blair Witch Project' was one thing, since it started the trend, but that was 12 years ago and most viewers are more savvy now to the flimsy trickster ways of overzealous studios and marketing execs. The latest entry into the genre, 'Apollo 18,' is clearly fictional despite claims to the contrary, but it doesn't matter. A willing audience member's suspension of disbelief can go a long way in creating the necessary sense of reality as long as the performances are natural and the filmmaking itself free of obvious artifice." — Dustin Putman, DustinPutman.com

The Presentation
"It's easy to dismiss a bad feature film as 'something that'd play better as a short,' but such is most certainly the case where 'Apollo 18' is concerned. If it clocked in at around thirty minutes, it would still have the novelty of its premise and presentation, but it'd also be wonderfully bereft of all the dead air, aimless wandering, and redundant dialogue that all but ruin a potentially fun movie. Not helping is the fact that the 'character development' is clumsy at best and that much of the narrative is just plain, old worthless wheel-spinning. Lifelong apologist for the oft-lamented 'sci-fi horror' genre I may be, but there's virtually nothing of value to be found in 'Apollo 18.' I have no problem with gimmick movies, but the story and its presentation should always be more important than the gimmick itself. Or at least more interesting." — Scott Weinberg, FearNet

The Scares
"The best horror films are movies that play on our real fears, that speak to something universally understood or shared, and that create a situation we can imagine ourselves in. The notion of being trapped on the moon could work if they really wanted to play on the notions of isolation and dependence on technology and the onset of madness in a closed space. There are definitely fears that this film could have cranked up to have an effect, but instead, there is this cheap, false tension that all comes down to cheap jumps and moon rocks with legs." — Drew McWeeny, HitFix

The Subtext
"In fact, this is what makes 'Apollo 18' special; it is perhaps the first narrative film to address the popularity of 9/11 conspiracy documentaries. Though it never touches on the modern world, the 'lunartruth.org' title card, the large scale conspiracy elements, the closing frames of the astronauts official cause of death and the 'edited from stolen footage' conceit all heavily recall 'Loose Change,' the Abu Graib photos, Saddam's hanging video and even at hint of the Tuskegee Syphilis Experiment. While most viewers will never pick up on this subtext, it will play just below the consciousness of many, adding depth and a creeping sense of malaise. Even as someone who is 100% not a 'truther' it added an extra element that I responded to emotionally." — Hunter Daniels, Collider

The Final Word
" 'Apollo 18' is innovative, intense and will make you scream like a little girl. It's not a great film by any means but it's all about the atmosphere and the world that is created by Director Gonzalo López-Gallego (his first major motion picture). Even though I knew going in that the film was fake, I still found myself suspending my disbelief. Hats off to the amazing film makers for making me feel like I was on the moon with these actors. I mean seriously, the film looked just like found footage from the 1970's. The post-production on this project must have been insane, adding in all the scratch marks, etc. The tight spaces these actors had to film in were absolutely insane. What the film does really well is use a slow-build effect for the scares which became a very important factor in keeping you entertained for ninety minutes." — Kevin McCarthy, BDKReviews

Check out everything we've got on "Apollo 18."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

Lady Gaga Releases First 'Fashion Film' Version of 'You and I'

Posted: 02 Sep 2011 06:15 AM PDT

Video was directed by fashion photographers Inez van Lamsweerde and Vinoodh Matadin, with four more clips to come.
By Gil Kaufman


Lady Gaga
Photo: WireImage

Most artists make one big splashy video for their latest single and then move on to the next one. As she's proven over and over again, though — most recently at the VMAs, where she stayed in her Jo Calderone character all night long — Lady Gaga is not most people.

After announcing on Twitter on Thursday that she shot five "fashion films" set to "Yoü and I" with Dutch fashion photography duo Inez van Lamsweerde and Vinoodh Matadin, she unleashed the first clip later that day, "Haus of Ü Featuring Nymph."

In typical Gaga fashion, it is perplexing, mesmerizing and just a bit odd, and nothing like the way-more elaborate, official music video for the rocking ballad. The barely two-minute black-and-white clip has Gaga pulling off a series of balletic twists and turns while wearing a simple slip dress and ballet slippers, her blonde hair loose and waving in the wind or up in a bun. At various points, there appear to be moths or some other kind of insect flying around in the background and lying dead on the ground.

Wearing very little makeup, Gaga stares intently at the camera while dancing in front of a stark white background. At one point she pulls up the dress while writhing on the ground, almost exposing herself. Near the end there is a fleeting moment where she gazes into the camera while holding her hair on her head in what looks like a colorized photo, with blonde applied to her locks, along with blush on her cheeks and a splash of blue on the dress.

Gaga did not announce when the other videos would be posted.

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Black Keys Still 'Evolving' On <i>Brothers</i> Follow-Up

Posted: 02 Sep 2011 09:21 AM PDT

In addition to Keys' seventh LP, a second Blakroc album is also on the horizon.
By Gil Kaufman


The Black Keys
Photo: Warner Bros. Records

The Black Keys typically keep it simple: two guys, drums, guitars and thick slabs of bluesy goodness. They also keep it quick, which explains how the duo has already recorded their follow-up to 2010's breakthrough album, Brothers, according to drummer Patrick Carney.  

"We just finished making a new album. So that's going to come out either later this year or early next year," Carney told MTV News of the seventh disc from the group fronted by guitarist/singer Dan Auerbach. The band spoke to us on the black carpet of the VMAs, where they were up for Best Rock Video for "Howlin' for You" but lost out to veteran rockers the Foo Fighters.

After producing their first four albums by themselves, the Keys hooked up with studio wiz Danger Mouse for 2008's Attack & Release and then again on Brothers.

"He's a really good friend of ours and he's super talented. It's always ... interesting," Carney said, pondering the best way to describe working with the Gnarls Barkley producer who has expanded his résumé lately to include work with U2, Broken Bells and Italian composer Daniele Luppi. "It's comfortable, but at the same time difficult because he does push us to do things we normally wouldn't do."

Asked how their latest hook-up with Danger will push their mix of blues and garage rock forward, Carney said, "I hope it sounds different enough that people see that ... we're still evolving."

In a recent interview with Voir Quebec, Auerbach described the sound as "more guitar rock 'n roll," citing the Clash, Rolling Stones and the Cramps as influences.

In the meantime, the Keys are revisiting their Blakroc collaborative series with hip-hop boss Damon Dash with the upcoming Blakroc 2. According to a just released teaser video for the second album in the series, they will be joined this time around by Wiz Khalifa, Talib Kweli, U-God, Curren$y, Jim Jones, the Cool Kids, Jay Electronica, OC and Sean Price. No release date has been announced for the album yet.

The first Blakroc album, released in 2009, featured collaborations with Raekwon, RZA and ODB, Jim Jones, Q-Tip, Mos Def and Ludacris.

The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, fashion pics, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.

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Madonna's 'W.E.': The Venice Reviews Are In

Posted: 02 Sep 2011 08:23 AM PDT

Material Girl's second directorial effort finds few early supporters at the film fest.
By Eric Ditzian


Madonna attends the "W.E." premiere during the 68th Venice Film Festival
Photo: Getty Images

The Venice Film Festival turned into something of a feeding frenzy on Thursday, as critics practically fell over one another in an effort to drum up the harshest disses and most damning, damaging turns-of-phrase about Madonna's second directorial effort, "W.E."

Their cackles of laughter echoed across the pond the next day, as the Weinstein Company attempted some damage control and a handful of defenders staked out claims that the film had been unjustly dismissed. Those supporters pointed to the lush visual landscape Madonna had captured and the touching love story she'd brought to life.

But the critics weren't having any of it. They slammed the garbled narrative structure, cheesy dialogue and directorial trickery that seemed to serve no other purpose than Madonna's look-at-me self-servitude. Read on for those critiques and more.

The Story
" 'W.E. is rather better than expected; it's bold, confident and not without amusing moments. Still, it's undeniably a strange concoction. Madonna (who also co-scripted with [Alek] Keshishian) has fashioned a split-level story of two couples: the Windsors, and the growing attraction between Wally Winthrop (Abbie Cornish), a contemporary Manhattan woman, and Evgeni (Oscar Isaac), a handsome Russian working security at Sotheby's. Wally, married to an eminent shrink who isn't above slapping her around, desperately wants children. (He doesn't.) Worse, she has inherited her mother's and grandmother's obsession with the Windsors (Andrea Riseborough, James d'Arcy) and doggedly researches their lives, seeking clues about how to live her own. In extreme moments, Mrs. Simpson actually appears to her." — David Gritten, The Telegraph

The Direction
"What an extraordinarily silly, preening, fatally mishandled film this is. It may even surpass 2008's 'Filth and Wisdom,' Madonna's calamitous first outing as a filmmaker. Her direction is so all over the shop that it barely qualifies as direction at all. 'W.E.' gives us slo-mo and jump cuts and a crawling crane shot up a tree in Balmoral, but they are all just tricks without a purpose. For her big directorial flourish, Madonna has Wallis bound onstage to dance with a Masai tribesman while Pretty Vacant blares on the soundtrack. But why? What point is she making?" — Xan Brooks, The Guardian

The Writing
"The script is the first problem. Co-written with Alek Keshishian, it's laden with clichés and clunky exposition from the off, with some moments drawing laughs from the Venice audience. More fatally, the structure works against what's trying to be achieved. There aren't really any similarities between the characters in the parallel stories, so the one isn't enlightened or embellished by the other. Furthermore, by telling Wallis' story in a somewhat non-linear fashion, jumping around from place to place, it becomes glacially paced and uninvolving, particularly as Madonna seems to steer things away from any actual drama — we never see the moment that Wallis and David first get together, for instance." — Oliver Lyttelton, The Playlist

The Defense
"A lot of people will loathe it, simply because it's been made by Madonna. But if they were to watch it with no knowledge of who directed, they would be pleasantly surprised. They might even find much of it enjoyable, although the odd moment may have them wondering if Madge has committed treason. Whatever your feelings about Ms. Ciccone, it's impossible to refute that her film brings to the screen one of the most compelling love stories in history." — Baz Bamigboye, Daily Mail

The Final Word
"Before it preemed in Venice, advance word on 'W.E.,' Madonna's sophomore feature about Wallis Simpson and Edward VIII, was that it was better than her debut, 'Filth and Wisdom.' Indeed it is, though that's not saying much: Burdened with risible dialogue and weak performances, pic doesn't have much going for it apart from lavish production design and terrific, well-researched costumes — and it's in focus, which is more than can be said for the script. Nevertheless, interest in the subject and her Madgesty alone will ensure substantial royalties internationally." — Leslie Felperin, Variety

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Mobb Deep Announce New Deal With Sony's RED Distribution

Posted: 02 Sep 2011 08:45 AM PDT

'After almost 20 years in this industry, it was inevitable for us to take matters into our own hands,' Prodigy says in a press release.
By Rob Markman


Mobb Deep
Photo: Robert Adam Mayer

The Infamous is back in the house once again. MTV News has learned that Mobb Deep have signed their Infamous Records with RED Distribution, the independent distribution system of Sony Music. Havoc and Prodigy will drop their self-titled ninth album as well any others that they sign and any film projects they choose to take on under the new deal.

"After almost 20 years in this industry, it was inevitable for us to take matters into our own hands. We feel that RED is the perfect home for our brand," Prodigy said in a press release issued to MTV News. "We know who our fans are and what they want from Mobb Deep. We're excited to take a new step in our career," Havoc added.

President of RED Distribution Bob Morelli offered his support of the newly inked group and label. "Mobb Deep is an iconic act, having been on the cutting edge of music and social commentary for years. We are happy and excited to distribute the next chapter in their musical career."

Read what Havoc said about Mobb Deep's initial plans to stay independent.

This isn't the first time the group has been in the Sony fold. After releasing their debut album Juvenile Hell on 4th and B'way in 1993, M-O-B-B signed on to the Sony-affiliated Loud Records and dropped their breakout album The Infamous two years later. They remained under Sony up until the release of their 2001 album Infamy. Since then, there has been an indie deal with Land Speed (2003's Free Agents), a deal with Jive (2004's Amerikaz Nightmare) and one with 50 Cent's G-Unit Records (2006 Blood Money), but ever since Prodigy's release from prison for gun possession in March, the group has been without a label.

The group has managed to stay in the news this year thanks to Prodigy's tell-all book "My Infamous Life: The Autobiography of Mobb Deep's Prodigy." Many rappers, including N.O.R.E., his partner Capone and Ja Rule, took exception to P's accounts of certain events described in the book.

Though there is no release date for the Mobb Deep album. The duo is currently on the road as part of the Rock the Bells Tour alongside Lauryn Hill, Nas, Common and Erykah Badu.

What do you think of Mobb Deep's new deal? Tell us in the comments.

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'The Debt' Stars Talk German Accents, '70s Thrillers

Posted: 02 Sep 2011 07:17 AM PDT

Sam Worthington and Jessica Chastain talk to MTV News about challenges and rewards of playing special agents in John Madden film.
By Kara Warner


Sam Worthington in "The Debt"
Photo: Focus Features

Even at a glance, John Madden's new movie "The Debt" has a lot going for it: a cool-looking espionage thriller that boasts a stellar cast, including breakout stars Sam Worthington ("Avatar") and Jessica Chastain ("The Help" and "Tree of Life"), as well as acclaimed actors Helen Mirren, Tom Wilkinson and Ciarán Hinds.

"Debt" follows a trio of government agents who are haunted by repercussions from a top-secret mission they carried out in the 1960s. When we meet them, it's 1997 and the agents are mature adults played by Mirren, Wilkinson and Hinds. We relive their harrowing ordeal in a series of flashbacks, wherein the same characters are played by Chastain, Marton Csokas and Worthington. But as the story unfolds, it becomes clear that all is not as it seems, and the agents must again risk their lives for redemption.

When MTV News sat down with Worthington (and his co-star Chastain) recently, we asked what separates "The Debt" from other thrillers.

"It's like an old 1970s thriller, I think," Worthington said. "It has the feel of 'The Boys From Brazil,' 'Three Days of the Condor,' 'The Conversation,' stuff like that. That was John [Madden's] pitch to me from the start," he explained. "There is a different pace on it, it was a movie that I would like to go and see. It is different.

The role also required Worthington to take on various German accents, so we wondered how the actor went about mastering them.

"I find them always hard, it's like a costume," Worthington admitted. "But to learn German on top of an Israeli lilt thrown on top of an Australian accent with a guy who's not very good at accents anyway, it was doubly hard. You just put in the effort, and Jessica Chastain is great at accents — she kind of helped me through it." Asked if his newly acquired accent stuck with him, Worthington laughed. "No, I drop accents. The character traits I keep and the emotions I keep, but the accents and the costume I don't take home."

Chastain revealed that she also put in a lot of work, perhaps more than she ever has for a character. "I always do preparation but it was very strange," Chastain told us, "the preparation for this was more exhausting than filming the movie. About three and a half months before filming started, I started learning Krav Maga. I took a beginner's course Berlitz in German, I started learning the accent. I started watching a lot of Helen Mirren. I read about the Holocaust and the medical experiments, which was devastating to read about the atrocities that happened then," she recalled. "It really was like going back to school for me."

Check out everything we've got on "The Debt."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

T.I. Moved From Halfway House To Undisclosed Location

Posted: 02 Sep 2011 05:29 AM PDT

Officials cite 'transportation issue' following his ride to halfway house in a luxury tour bus on Wednesday.
By Gil Kaufman


T.I.
Photo: Ethan Miller/ Getty Images

T.I. barely had enough time to unpack his things at a halfway house in Atlanta before Federal Bureau of Prisons officials moved him to another location on Thursday.

The rapper's lawyer confirmed for The Associated Press that the MC has been moved from the halfway house he entered on Wednesday to another, undisclosed location because of a "transportation issue" involving T.I.'s use of a luxury tour bus to the facility.

On Wednesday, T.I. was released from a federal prison in Arkansas to the community living facility in Georgia, where he was slated to serve out the rest of his 11-month sentence for probation violation.

Lawyer Steve Sadow did not specify why T.I. (born Clifford Harris) was moved, but said the action was not drug-related and that he was working to resolve the situation. "There appears to be confusion surrounding the method of transportation," Sadow said.

T.I. left the Forrest City low-security prison in Arkansas in the tinted-window bus, which was followed by four other vehicles. "The storm is over & da sun back out. IT'S OUR TIME TO SHINE SHAWTY!!!!!" the rapper tweeted shortly after his release. "Welcome to the beginning of our Happy Ending!!!!"

CNN reported that T.I. was moved to the U.S. penitentiary in Atlanta on Friday. Sadow said Tip had offered to provide his own transportation between Arkansas and Georgia, but officials apparently objected to the use of the bus (and an attendant entourage of private SUVs) and were reviewing if it may have violated his furlough agreement.

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