Rabu, 16 Desember 2009

MTV News

MTV News


Lil Wayne Is MTV News' #5 Man Of The Year

Posted: 16 Dec 2009 03:50 AM PST

Despite legal troubles and looming jail time, Wayne fostered the hottest clique in hip-hop and featured on songs from Madonna to Drake, all the while still dropping mixtapes.
By Shaheem Reid


Lil Wayne
Photo: Frank Micelotta/ Getty Images/ MTV News

Which stars had the biggest year? All this week, we'll be unveiling our Top 9 men and women of 2009, counting down to the #1 man and woman on Friday.

5. Lil Wayne

His name should be "Mammoth Wayne." Lil Wayne is going into 2010 just like he went into 2009: on top of the music game. MTV News' 2008 Man of the Year's star is so huge and shines so bright that he's remained a entertainment focal point — breaking touring records for a hip-hop act despite not releasing Rebirth, his much delayed follow-up to last year's Tha Carter III. The New Orleans Fireman was more popular than most artists who boasted #1 albums; with hit singles, an endless string of guest appearances, introducing rap's hottest new clique and dropping another classic mixtape.

2009 Highlights: Staying humble but still riding high off of his 2008 Man of the Year win, Wayne sideswiped a potential rap battle with 50 Cent by refusing to engage the G-Unit General, but continuing to do what put in him a preeminent position: make music and perform it for the people. His I Am Music Tour with the likes of T-Pain and Keri Hilson was a huge critical and commercial success. But Wayne's biggest live show would happen in February at the Grammy Awards in Los Angeles. Weezy, Jay-Z, Kanye and T.I. stole the program with a historic performance of "Swagga Like Us" only for Wayne to return to the same stage later to rep for his hometown with "Tie My Hands." Wayne was nominated for eight Grammys and left with three, including Best Hip-Hop Album.

TOP 9 MEN OF THE YEAR

9. Eminem
8. Drake
7. Kanye West
6. Robert Pattinson
5. Lil Wayne
4. stay tuned ...

February was also a pivotal month in that his musical collaborator and Young Money clique member, Drake, released the mixtape So Far Gone. Drake, our #8 Man of the Year nominee, went on to be the hip-hop rookie of the year with two hit singles and two Grammy nominations. Drake officially became a Young Money artist in late June. Wayne took his entire camp — which includes another budding rap star, Nicki Minaj — out on tour this summer for the America's Most Wanted Music Festival. That outing and his I Am Music Tour earned a combined record-breaking tally of over $42 million.

Outside of music, Wayne had plenty to keep him busy. BCD Music Group, an independent distribution company based in Texas, put him in the middle of a lawsuit against mixtape king DJ Drama, while Wayne was in full support of a lawsuit to stop the distribution of the documentary "Tha Carter", which was produced by QD3. In yet another lawsuit, Wayne sued producer Mali Boi for failing to clear a sample of singer Karma-Ann Swanepoel's "Once." The folk singer sued Wayne for copyright infringement for use of "Once" on Wayne's "I Feel Like Dying." Of course, Wayne's most troubling court proceedings dealt with his gun-possession case. In October, the acclaimed performer pleaded guilty to gun possession. Weezy is scheduled for sentencing in February, where he is expected to receive one year in jail.

Despite impending prison time, Wayne's appeal has reached well into the mainstream. He's had guest appearances on tracks from Madonna to Drake to Cash Money member Jay Sean. Weezy also appeared on ESPN multiple times (also serving as a celebrity blogger for the sports channel), went bowling with Katie Couric for a primetime special and had his own "Behind the Music" episode.

As 2009 came to an end, Wayne — who came in second on MTV News' Hip-Hop Brain Trust's Hottest MCs List — dropped his impeccable No Ceilings mixtape. The free CD was meant as a thank-you to all the fans who supported him throughout the year. Meanwhile, as Wayne gears up for the release of the We Are Young Money LP on December 21, he's still drumming up attention for Rebirth"Drop the World," featuring Eminem, was just leaked to the Net Monday.

Which stars had the biggest 2009? Over the next week, we'll be unveiling our top nine most newsworthy, controversial and fascinating men and women of the year. We based our list on factors like music sales, box-office performance, MTVNews.com headlines and traffic, overall reach (crossover singles, appearances in movies, licensing of songs for commercials, clothing lines, etc.), plus X-factors like "impact" and "buzz." (And no, President Barack Obama didn't make the list — we'll leave that to the folks at Time.) This is by no means an exact science, but we think the list we've put together represents the men and women who helped make 2009 the most exciting and memorable 12 months in recent history.

We'll be rolling out our list of the Top 9 Men and Women of 2009 two per day until Friday, when we unveil MTV News' Man and Woman of the year! As always, we also want to know what you think, so weigh in with comments below, or upload them to Your.MTV.com!

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Miley Cyrus Is MTV News' #5 Woman Of The Year

Posted: 16 Dec 2009 03:50 AM PST

The 17-year-old pop star has been on a roll, with a #1 movie, hit songs and a manageable share of controversy in 2009.
By James Montgomery


Miley Cyrus
Photo: Jeff Kravitz/ FilmMagic

Which stars had the biggest year? All this week, we'll be unveiling our top nine men and women of 2009, counting down to the #1 man and woman on Friday.

5. Miley Cyrus

In 2008, Miley Cyrus was criticized for growing up too fast. From leaked pics to a risqué Vanity Fair spread, it seemed like the teen was in a hurry to make the transition from squeaky-clean Disney star to full-grown woman, and the pundits gave her hell for it (though we placed her fourth on our '08 Woman of the Year countdown). In 2009, she weathered much of the same criticisms, but she still managed to make giant strides towards adulthood, thanks mostly to a mega-successful tour, a pair of chart-dominating singles and her much-discussed decision to delete her Twitter account. Cyrus might still just be 17 years old, but she's established herself as a force to be reckoned with and shows no signs of letting up anytime soon.

2009 Highlights: What wasn't a highlight for Miley in 2009? She came into the year with a Golden Globe-nominated song and an invite to play one of Barack Obama's inaugural shows. Her "Hannah Montana" movie bowed at #1 at the box office, pulling in some $34 million, the second-highest grossing Easter-weekend debut in history. Within a few weeks, the soundtrack to the movie would claim the top spot on the Billboard albums chart too.

TOP 9 WOMEN OF THE YEAR

9. The Kardashians
8. Susan Boyle
7. Kristen Stewart
6. Britney Spears
5. Miley Cyrus
4. stay tuned ...

She released a string of mega-successful singles, "The Climb" and "Party in the U.S.A.," which not only dominated the charts but earned her critical praise too. She toured and worked on "The Last Song" — a reportedly "more mature" film that paired her with Liam Hemsworth, with whom she'd soon be romantically linked — and filmed a cameo in "Sex and the City 2."

But, oh, there were still controversies. In February, she rankled Asian-rights groups when a photo of her and her friends making a so-called "slant-eyed" gesture hit the Net. Cyrus said the picture was "taken out of context," but eventually apologized for it. Then, in August, she offended parents' groups with a pole-dance during her performance at the Teen Choice Awards.

In October, Cyrus deleted her famous Twitter account and as fans flooded the site with messages begging her to return, it crashed momentarily. Some said she quit at Hemsworth's insistence, though she denied it, calling the implication "stupid" and saying Twitter should be "banned from the universe." Then, in November, she made headlines again when she admitted that contrary to the lyrics of "Party in the U.S.A.," she's never heard a Jay-Z song.

But Miley never let any of the controversy derail her, and as 2009 draws to a close, she's winning raves for her cover of Poison's "Every Rose Has Its Thorn." Like we said, she shows no signs of slowing down, and we wouldn't be willing to bet against her in 2010, either.

Among Cyrus' other newsworthy moments this year, she feuded with Radiohead and Jamie Foxx. She reunited (in song) with ex-boyfriend Nick Jonas, and tweeted through her breakup with model Justin Gaston. She inadvertently complicated Lil Jon's life when the rapper somehow acquired her old phone number. She made the brave move of dissing the "Twilight" series. And then she met the Queen of England.

Which stars had the biggest 2009? Over the next week, we'll be unveiling our top nine most newsworthy, controversial and fascinating men and women of the year. We based our list on factors like music sales, box-office performance, MTVNews.com headlines and traffic, overall reach (crossover singles, appearances in movies, licensing of songs for commercials, clothing lines, etc.), plus X-factors like "impact" and "buzz." (And no, President Barack Obama didn't make the list — we'll leave that to the folks at Time.) This is by no means an exact science, but we think the list we've put together represents the men and women who helped make 2009 the most exciting and memorable 12 months in recent history.

We'll be rolling out our list of the Top 9 Men and Women of 2009 two per day until Friday, when we unveil MTV News' Man and Woman of the year! As always, we also want to know what you think, so weigh in with comments below, or upload them to Your.MTV.com!

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DJ Drama Is <i>Mixtape Daily</i>'s DJ Of The Year

Posted: 16 Dec 2009 03:50 AM PST

Plus: DJ Holiday is our Breakthrough DJ of the Year, partly for his work with Gucci Mane.
By Shaheem Reid


DJ Drama
Photo: Atlantic/MTV News

DJ of the Year: DJ Drama

When you say the mixtape game is back, DJ Drama has to be your poster boy. A few years ago, Drama and DJ Don Cannon actually went to jail for selling mixtapes. Now, the music industry seems to have a better understanding of how integral a mixtape can be to an artist's career.

In 2009, Dram unleashed a heavy volume of work, collaborating with other DJs such as Skee, Scream and Holiday, singer R. Kelly and a multitude of red-hot street rappers such as Gucci Mane and Yo Gotti. Even platinum-sellers like Wyclef Jean and Soulja Boy Tell'em had to holla for Dram's cherished Gangsta Grillz brand stamping their underground projects.

No, Dram didn't have that definitive street CD like Trap or Die or Dedication, but those don't come around frequently. They're undeniable classics for a reason. What Dram did have was consistency, impact and growth.

Outside of mixtapes, Dram's Gangsta Grillz radio show (on satellite radio and Atlanta's 107.9) had its biggest year with big guests like Jay-Z, Snoop Dogg and Diddy and the on-air reunion of the Goodie Mob. The program even served as a venue for the Philadelphia-born DJ to end his differences with Young Jeezy. On the same show, Jeezy squashed his own beef with Gucci Mane.

On the artist side, the head of the Aphilliates dropped his second official LP, Gangsta Grillz: The Album Vol. 2, which featured guest spots ranging from Nas, T.I., Snoop and Akon to Gucci Mane, Juvenile and Rick Ross.

"Mr. Thanksgiving" didn't drop anything to the streets on Turkey Day that just passed, but on Christmas, he and Fabolous are releasing There Is No Competition Part 2: The Funeral Service. In early 2010, Dram has tapes with Meek Mill and Yo Gotti, and he and Jeezy will attempt to make one more timeless project, Trap or Die 2.

Drama's Selected 2009 Catalog

LP:
» Gangsta Grillz: The Album Vol. 2

EP:
» Wyclef Jean a.k.a. Toussaint St. Jean - From the Hut to the Projects to the Mansion

Mixtapes:
» Cam'ron and Vado - Boss of All Bosses
» Cory Gunz - Heir to the Throne
» French Montana - Cocaine Konvicts
» Gangsta Boo - The Rumors
» Gucci Mane - The Burrrprint (The Movie 3-D)
» Gucci Mane - Guccimerica (Cold War Series)
» Gucci Mane - The Movie 2
» J. Futuristic - Mr. Miyagi
» Juicy J and Project Pat - Play Me Some Pimpin Mane Pt. 2
» La the Darkman - Living Notoriously
» R. Kelly - The Demo Tape
» Roccett - The Free Agent
» Shawty Lo - Fright Night
» Skyzoo - The Power of Word
» Soulja Boy Tell'em - Follow Me
» Tony Yayo - Gangsta Paradise
» Willie the Kid - The Fly
» Yo Gotti - Cocaine Muzick 2
» Yung L.A. - Lamborghini Leland

Breakthrough Mixtape DJ of the Year: DJ Holiday

DJ Holiday perfected his come-up in 2009. The key with the Atlanta DJ was making impact. With everyone expecting Gucci Mane's first post-jail mixtape the way teenage girls anticipate the opening weekend of "Twilight" films, the Gucc handpicked Holiday to set off his comeback. LaFlare's Writing's on the Wall was one of the year's most talked-about mixtapes, as was Nicki Minaj's jump-off tape, Beam Me Up Scotty.

Nick's collaboration with Holiday connected 'hood to 'hood, and even radio jumped on one of the tracks, "I Get Crazy" with Lil Wayne. In October, Gucci called on Holiday again to be part of his historic Cold War Series, when three mixtapes were released simultaneously. Holiday did Brrrussia. Meanwhile, Soulja Boy Tell'em followed Gucci's lead and dropped three mixtapes on one day, commissioning Holiday for DatPiff. In 2010, Holiday promises he'll capitalize on his momentum with his first album. He's signed to Gucci Mane's new label. The mixtapes will continue to come. Big Kuntry and Plies are two of the first we'll hear.

Holiday's Selected 2009 Catalog

Mixtapes:
» Gorilla Zoe - Feeding Time
» Gucci Mane - Writing's on the Wall
» Nicki Minaj - Beam Me Up Scotty
» OJ Da Juiceman - Alaska in Atlanta
» Short Dawg - Southern Flame Spitta Vol. 2
» Soulja Boy - DatPiff
» Yung L.A. - I Think I Can Sang

For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.

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Kanye West Calls 'We Were Once A Fairytale' Honor 'Humbling'

Posted: 15 Dec 2009 05:29 AM PST

Pitchfork names Spike Jonze-directed short film one of its top music videos of 2009.
By Larry Carroll


Kanye West in Spike Jonze's "We Were Once a Fairytale"
Photo: Vimeo.com

These days, any comment from Kanye West is sure to get attention. As 2009 winds down, the chart-topping rapper is finding himself among various year-end lists, but one honor in particular has moved him to post an emotional, all-caps, acceptance-speech-like response on his blog.

"I definitely wasn't expecting all this love at the end of the year," Kanye said of Pitchfork selecting his 11-minute short film with Spike Jonze, "We Were Once a Fairytale," as one of the top music videos of the year. "Love is humbling."

Directed by Jonze ("Being John Malkovich," "Where the Wild Things Are" and dozens of groundbreaking music videos like the Beastie Boys' "Sabotage"), "Fairytale" has a raw West portraying a drunk, pathetic take on his public persona. Clearly, the video resonated with fans and outlets like Pitchfork, who ranked it alongside the likes of Bob Dylan, Coldplay and even Carl Sagan.

"Spike is a genius, and he brought the best out of me," Kanye wrote Tuesday (December 15) on his blog. "He called in a lot a favors and we did this film for under 50 G's. Thank you to everybody involved."

Although he admitted that he didn't quite grasp the concept at first, Kanye said that in the end, he was wise to trust Jonze's unique vision. "Sometimes a big idea can take you further than a big budget," he wrote. "I remember when [Jonze] pitched it to me, I was like... Uuuuuuum.........WTF!!!!! ... But only a complete idiot turns down the opportunity to be directed by Spike Jonze. He's a really good friend and calming spirit and that's what you need most in your life sometimes."

West then went on to compare Jonze with his boundary-breaking Late Registration co-producer. "He reminds me of Jon Brion in a way, because they both can find the human qualities in people and bring those to the forefront. They have so much good will that they let me use some of that to open doors that have been closed off to me," he explained. "This was theee most in your face concept but Spike made me look like a hurt child instead of an outrageous a--hole."

The distinctive clip features West's song "See You in My Nightmares" playing in the background at a club while he drunkenly stumbles, dances and screams alongside other patrons. Later on in the vanity-free clip, he vomits, passes out on the bathroom floor and stabs himself. "When everyone goes big, go small. When everyone goes clean, go dirty," West wrote of the video. "When everybody puts on the craziest outfits ever, put on your favorite old Band of Outsiders dinner jacket and pull a monster out of your soul."

In closing, Kanye promised that fans haven't seen the last of his "Fairytale" creation. "I wish I could say that monster was truly dead," he wrote, "but I think he'll be back to life sitting on my shoulder when I get back in the studio."

West also recently hit his blog to thank Entertainment Weekly for naming his 2004 debut, The College Dropout, the Album of the Decade.

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Chris Brown Fans Wish He Hadn't Deleted His Twitter

Posted: 15 Dec 2009 03:16 AM PST

'The media is basically backing him against the wall,' one fan says of why Brown quit the service.
By Eric Ditzian


Chris Brown
Photo: Steve Granitz / Getty Images

Chris Brown's Twitter account has passed into the great blogosphere beyond, taking with it the R&B singer's ability to shoot out photos of himself doing court-ordered community service and send communiqués to his fans like, "I'm tired of this sh--."

Who knows? Brown could one day return to the world of instant social networking, and he still has his Mechanical Dummy Web site. But the fans lined up to see his sold-out show on Tuesday night at the Nokia Theatre in New York were certain of one thing: He should never have left.

"I don't think he should have done it," 23-year-old Brittany Mack told MTV News. "The media is basically backing him against the wall. Yes, for the incidents that happened, he did it, he owned up to it. But it's been invading his life. Twitter is supposed to be casual, make new friends, put your thoughts out in the air, just have fun. Everything that he texts, [the media] is turning around and making it bad, and he's not a bad guy."

The complaint that negative publicity is all the media's fault was echoed by many of the folks who spoke with us. "I think for the younger generation, we would understand the frustration, the things he's talking about, but TMZ and the media is going to take a spin on that," argued Kendra Payne, 18.

Others declined to lay blame on journalists or even on Brown, who himself has acknowledged that his impulsive tweets have gotten him into trouble. Instead, they expressed their sadness that they'd no longer have the pleasure of Brown's messages. "I was depressed," said 18-year-old Kendra Payne. "The only reason why I made a Twitter was because Chris Brown made a Twitter. He was the first person I followed, and then when he deleted his Twitter, I was going crazy."

All this talk about abandoning the Twitterverse got some concertgoers thinking about other celebs who should follow the example of Brown, Miley Cyrus and others. "Tila Tequila, I think she needs to delete her Twitter," 17-year-old Ryan Mathis said. "I can't stand her. She wants a lot of attention. Everything she says is mad crazy. She says the dumbest stuff. There's no reason to be acting like that. No one cares."

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Lil Wayne, Eminem's Belligerent 'Drop The World' Hits The Net

Posted: 15 Dec 2009 08:53 AM PST

New song features bleak verses promising revenge to their haters.
By Shaheem Reid


Lil Wayne's <i>Rebirth</i>
Photo: Cash Money/ Universal/ Young Money

Eminem is three for three. After stellar guest spots on Drake's "Forever" and 50 Cent's conceptual gorefest "Psycho," MTV News' #9 Man of the Year has made a luminous cameo on Lil Wayne's Rebirth track "Drop the World."

The song, which hit the Internet on Tuesday morning (December 15), features the Fireman and Marshall Mathers levying brilliantly bleak bars, expressing how they find inner strength in angst-ridden times.

"I got ice in my veins," Wayne says, in a slow, deliberate manner, almost like spoken-word poetry, over the stripped-down beat of a drum and a spacey keyboard. "Blood in my eyes/ Hate in my heart/ Love on my mind/ I seen nights full of pain/ Days of the same/ You keep the sunshine/ Save me the rain."

On the chorus, guitars kick in, making the record more belligerent as the New Orleans rebel gives an insurgent war cry, "Bi---, I'mma pick the world up and I'mm drop it on your f---in' head!/ I could die now/ Rebirth, muthaf---a/ Hop up in my spaceship and leave Earth, muthaf---a/ I'm gone."

"It hurts but I'll never show/ Cause pain you'll never know/ If only you could see how lonely and how cold/ And frostbit I've become," Shady comes in on the third verse, singing his flow. For a few seconds, Em changes to a more methodical delivery.

He's vicious, spiteful and confident as he talks about changing the rap game and making any doubters pay dearly.

"I'mma make these f---in' haters believe," he promises while a guitar plays in the background, seeming to fuel him. "I'mma f--- around in this bi--- and roast everybody/ Sleep on me, that's where you head'll lay/ Permanently, bi---/ It's beddy-bye/ This world is my Easter egg/ Prepare to die!"

Lil Wayne has also released the singles "On Fire" and "Da Da Da" from Rebirth, which was delayed again from December 21 to sometime in February. That month, Wayne will head back to court to face sentencing on gun charges, where he's expected to receive a one-year prison term. Meanwhile, Eminem's Relapse: The Refill is locked in for December 21, the same day that Wayne's Young Money crew will put out their collective debut We Are Young Money.

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The Best Albums Of 2009, In <i>Bigger Than The Sound</i>

Posted: 16 Dec 2009 03:50 AM PST

MTV News' James Montgomery picks his top 25 records of the year.
By James Montgomery


<i>Bigger Than The Sound's</i> Best Albums of 2009
Photo: MTV News

Well, we made it. 2009 is practically in the books, and now it's time to look back on the rather, uh, zany year that was. Last week, I published my list of the year's Best Songs, and now, it's time for the albums. It's a fairly lengthy list, because, like I wrote in my songs column, there's perhaps no better way to sum up the year than by looking back on the soundtrack to it all. And it just so happens that there were plenty of albums that did just that.

But before we get to my list, I want to point out that, yes, I'm very much aware that "the album" is a fairly dead concept, but so is the idea that Obama is a socialist, and we spent roughly three-quarters of 2009 screaming about that, didn't we?

So, without further ado, here are my picks for the Best Albums of 2009 — the straightforward and the skewed, the silly and the serious, the artistic and the arrhythmic. And if you've got some picks of your own, I'd love to read 'em (cue the Eminem fans), so let me know in the comments below, or shoot me an e-mail at BTTS@MTVStaff.com.

20. Brand New, Daisy
Five kids from Long Island make the best Modest Mouse album since The Lonesome Crowded West, a sawing, slurring, snarling thing, full of enough wobbly fretwork and muddled melodies to give Isaac Brock pause. Songs like "At the Bottom" and "Gasoline" writhe like a beheaded snake, "Vices" wails like a wraith, and "Be Gone," well, it basically just sounds like an Ugly Casanova B-side. Still, after a dozen years, it's nice to finally have the old MM back in our lives, especially when the new one seems content to simply re-record sea shanties.

19. Kid Cudi, Man on the Moon: The End of Day
Scott Mescudi certainly remembers the D.A.I.S.Y. age, and Moon is his attempt to match De La Soul's 3 Feet High and Rising. Does he succeed? Not entirely, but there's enough here — the collaborations with Kanye West and Ratatat, the vivid storytelling, the fact that Common narrates the thing — to make it perhaps the most worthwhile near-miss in recent memory. A wonderfully weird album, it left me wondering where Cudi could possibly go from here. Perhaps he's already at work on his version of De La Soul Is Dead?

18. Wilco, Wilco (The Album)
NPR (The Album). Brunch (The Album). Antiquing (The Album). This is Wilco at their most buttoned-down, making their most straightforward album in years, and yet, despite the gray around their temples, this is still a very youthful album, honed by a relentless touring schedule and some really deft production work. The songs here are given room to breathe, to stretch their legs and walk a bit. There's blood and muscle and sweat here too. The best "live" album I've heard in years, despite it not actually being a live album. Think about that.

17. Dinosaur Jr., Farm
Sleepy-eyed, bed-headed, sweatpants rock from a trio of guys who look very much like they've resigned themselves to a life of couch-surfing and resin-scraping. Only, they haven't, and the proof is in the excellent, curlicue guitar work of songs like "Plans" and "I Don't Wanna Go There." There's hope there and muted dreams too. It's proof that good posture isn't a requirement for rocking out, that the couch can be a launching pad and that there's magic in that resin.

16. The Decemberists, The Hazards of Love
Correctly criticized for bring overly long and overwhelmingly bookish, yet those are precisely the reasons I liked this one so much. Hazards is the Decemberists unchained, free to meander into stuff like stony prog-rock and twee folk, unashamed to give songs names like "The Prettiest Whistles Won't Wrestle the Thistles Undone." Another concept album, this one encompasses a lovelorn lass, a shape-shifting boy, a deceitful rake, a magical river and a murderous forest queen (to name just a few) and features more doomy riffs than you'd ever think possible. Librarians shouldn't shred this hard, but here, they do.

15. The XX, XX
The year's best debut. An icy, wiry album that features stone-faced boy/girl vocals, angular, post-punk guitars and windswept, barren synth gusts (often on the same song — see "Crystalized" or "Basic Space" for proof). XX is an embracingly lo-fi yet also strangely distant listen. It doesn't sound like anyone involved in its creation was having much fun, but then again, they are achingly British.

14. Mos Def, The Ecstatic
Like the title (which, Wikipedia tells me, was lifted from a book by Queens author Victor LaVelle) implies, this is Mos Def in full celebratory mode, which explains the joyous boogie of songs like "Casa Bey" or "Quiet Dog Bite Hard." But given that it's Mos, things also get slightly weird — the blurred vocals on "Twilite Speedball," the sorta-samba on "Pistola" — and unabashedly political, like the Malcolm X sample that opens the album or "Auditorium," which features Slick Rick as a soldier in Iraq. Party hard, Mos seems to be saying, because there are dark times ahead.

13. Bat for Lashes, Two Suns
An exploration of the duality of life, love and loss, Natasha Khan (she's Bat for Lashes, in case you didn't know) went deep on Two Suns, leaving her native England for places like California's Joshua Tree and New York, cultivating an alternate identity (Pearl) who nearly dragged her down into destruction. But the end result was a spate of marvelous songs, swooning, nocturnal pop like "Daniel" and "Pearl's Dream." Like Kate Bush before her, Khan draws from her personal life, but she's at her best when she throws on the ethereal veil. And that's what she does here.

12. Kelly Clarkson, All I Ever Wanted
Built in a lab by the best pop-music minds in the business, equipped with all weapons necessary to assault the Hot 100, All I Ever Wanted is the musical equivalent of a gigantic, shiny Gundam suit, with Clarkson at the controls. It's no wonder it's her best album in years. Her voice powers "My Life Would Suck Without You" and "I Do Not Hook Up" into the stratosphere, and on songs like "Cry" or album-closer "If No One Will Listen," she gets subtle (or, you know, as subtle as a former "American Idol" champ with dynamite pipes can get). It didn't exactly burn up the charts, but that hardly matters. All I Ever Wanted is Clarkson's return to form.

11. Shakira, She Wolf
Sublimely silly, supremely sexy global pop, She Wolf features more popping and locking than a chiropractor's convention and more panting than a kennel. With the title track and the excellently effervescent "Men in This Town," Shakira has created two of the year's greatest songs, undoubtedly the soundtrack to the space disco in her head. Throw in some revenge fantasies, broken English and the occasional line about Matt Damon, and you've got the years most unabashed album. And there's no one else on the planet who could've made it.

10. Amadou & Miriam, Welcome to Mali
Released late last year in Europe, Welcome to Mali didn't find its way to the States until March, but it was worth the wait. Sure, you could focus on the fact that A&M are married, blind and play a wondrous brand of so-called "Afro-Blues," a mixture of Malian traditional, Indian rhythms and Egyptian wind instruments, with some good old-fashion rock and roll thrown in for good measure. But instead, listen to the joyous keyboards of album opener "Sabali" or the funky meter of "Sebeke" and try to tell me this isn't an album for all people, everywhere. Shoot, even K'Naan comes off good here, and that's saying something.

9. Lily Allen, It's Not Me, It's You
Basically the polar opposite of every other pop album on this list, It's Not Me ... isn't the end-product of the endless tinkerings of the pop elite, nor is it particularly pop in any of its sentiments. Instead, it's a handcrafted, deeply personal thing, a complicated, sad, funny, sarcastic album that pulls no punches and spares no target, including Allen herself. Songs like "The Fear," "Not Fair," "Back to the Start" and "Who'd Have Known" crackle with humor, biting social commentary and even outright sadness, and they showcase Allen's growing skill as a lyricist. She's endlessly complicated — celebrating her independence one moment ("Never Gonna Happen"), craving the support of a lover the next ("Chinese") — and delightfully odd (who else would assume God's favorite band is Creedence Clearwater Revival?), not to mention brave, wickedly funny and incredibly smart. Too bad she's reportedly giving up music. Though, as far as swan songs go, you could do a lot worse than It's Not Me, It's You.

8. Grizzly Bear, Veckatimest
Achingly pretty indie pop with a dark side, Veckatimest bends the lines into chamber music, psych-rock and even folk, creating a beautiful haze to lose oneself (and one's mind) in. Songs like "Two Weeks" and "Ready, Able" are ghostly, gorgeous things (with appropriately creepy videos to boot), proof that not only can Grizzly Bear write pop songs, but they can do it better than pretty much anybody. That this album debuted at #8 on the Billboard albums chart — and earned them props from Jay-Z — was only icing on the cake. Sometimes, nice guys do finish first ... or, at least, in the top 10. Even if they are somewhat creepy.

7. Jay-Z, The Blueprint 3
The year's best hip-hop album, the third installment of Jay's celebrated Blueprint series is a sprawling, ambitious listen, filled to the brim with big-name producers and even bigger collaborations. But what struck me about it is the complexity of the world Jay has created. He's unquestionably one of hip-hop's elder statesmen, and he claims to want to rap about big things, and yet, he spends most of the album bragging about seemingly insignificant stuff like his "white Louis boat shoes." He sounded the death knell for Auto-Tune on the first single, the wondrous "D.O.A. (Death of Auto-Tune)," and yet, there it is on his own album ("A Star Is Born"). On "Off That," he swears off speaking about the past, and yet, very much of this album is dedicated to listing his previous accomplishments. I'm not bringing any of this up to nitpick, rather to point out just how fascinatingly human Jay-Z really is. Even when he's perfect, he's delightfully, compellingly imperfect too.

6. YACHT, See Mystery Lights
Vaguely cultish electronic music that's full of new-age sentiments ("It may come as a surprise/ But you are not alone") and cryptic notions about eternal life and mysterious triumvirates, but don't let that scare you. See Mystery Lights also contains some of the year's most gleefully fun pop tunes, all bloops and bleeps and chopped-and-screwed vocal tics. Sounding very much like it was recorded in someone's basement using only an old Casio and a MacBook, this is DIY dance music, though that doesn't stop songs like "I'm in Love With a Ripper" or "Psychic City (Voodoo City)" from positively glowing, much like the titular lights that haunt the outskirts of Marfa, Texas, most nights.

5. Paramore, Brand New Eyes
The year's biggest surprise was also the year's best straightforward rock album. Hayley Williams and her Paramore mates ditch the DayGlo and just get down to the business of making a killer rock record, and Eyes rips along on hair-trigger guitars, controlled pummel and Williams' decidedly killer pipes (check songs like "Careful" and "Ignorance" for proof). But, for once, they're not afraid to slow things down, either, and the results — songs like "Misguided Ghosts" and the terrific "All I Wanted" — are stunning. Like Williams told me back in Tennessee, Paramore have "matured, not ma-toored," and I can't wait to see what happens as they continue to get older.

4. Phoenix, Wolfgang Amadeus Phoenix
As I wrote back in July, this is "retro pop hyper-focused on a futuristic reimagination of postmodernism and neoclassicism as proletarian touchstones ... that you can dance to." And that pretty aptly sums up Wolfgang Amadeus Phoenix, an album for all times and all eras. Full of undeniable melodies, fist-pumping choruses and razor-sharp hooks, this is whip-smart pop, a prime example of a band striking the perfect balance between heady theory and hip-shaking boogie, the kind of book party you'd want to attend every night of the week. This one breezes by in 10 too-short tracks, which is about the only bad thing I have to say about it. Next time, let's go for the double, guys.

3. Dan Deacon, Bromst
Part hippie-dippy communal art project, part "Electric Kool-Aid Acid Test," Bromst is a dynamic, schizophrenic listen: churchly quiet one second, cacophonously ear-splitting the next. It takes electronic squelches and pushes them skyward, then thrusts them into the ground, it starts and stops on a dime(bag), and it takes Deacon's electro-weirdo leanings and amplifies them, thanks mostly to the addition of extra musicians and instrumentation. This is music for both the dance floors and the chill-out tents, all-encompassing even when it's trying very hard to be nothing short of confounding. But, hey, that's the case with all great art, communal or otherwise.

2. The Flaming Lips, Embryonic
The album on which the Lips take all the good will they've built up over the past decade and jettison it out into space, Embryonic is a dissonant, disturbing thing, all fuzzed-out guitars, churning low end and muttered, barely there vocals, with the occasional animal noise (courtesy of Karen O), flubbed note and studio mishap (that one part where something makes a sound very similar to what happens when you leave a BlackBerry too close to a radio, which, I can only assume, was created by someone actually leaving their BlackBerry too close to the radio) thrown in for good measure. In all seriousness, this sounds very much like the Lips trying very hard to annoy, torture and thin their fanbase, and given their past history of abrupt left turns, I wouldn't put it past them. Of course, Embryonic only made me like them more. For years, I felt like the Lips needed a shot in the arm. And, well, here it is. Somewhat naturally (or perversely), the Lips say they intend to follow Embryonic with a note-for-note re-creation of Pink Floyd's Dark Side of the Moon. Seems like a great idea to me.

1. Animal Collective, Merriweather Post Pavilion
For once, the blogs got it right: 2009 really was over in January. Justly hyped to within an inch of its life, MPP lived up to the advanced billing, taking the listener on a brightly colored, hugely saturated electro-psych voyage, full of whomping low end and whistle-clean harmonies. It's electronic but organic, and very much a pop record — or at least songs like "My Girls" and "Lion in a Coma" are. But this is also a hugely important record — one of the decade's best bands fully realizing their potential, making an album that is both experimental and accessible. Not to mention amazing, breathtaking and undeniable too. Not only the best of 2009, it's also one of the decade's great records, and after MPP was released, the remainder of the year felt very much like one gigantic letdown. At least until you listened to it again.

Questions? Concerns? Hit me up at BTTS@MTVStaff.com.

Britney Spears Is MTV News' #6 Woman Of The Year

Posted: 14 Dec 2009 11:54 PM PST

With her Circus tour, jaw-dropping videos and a new, take-charge attitude, Brit had a very good 2009.
By James Montgomery


Britney Spears
Photo: Chris Walter/ WireImage

Which stars had the biggest year? All this week, we'll be unveiling our top nine men and women of 2009, counting down to the #1 man and woman on Friday.

6. Britney Spears

In 2008, Britney Spears placed second on our Woman of the Year countdown, mostly because she managed to keep her career together in the face of bad press, very public meltdowns and a pair of court cases. This year, she made the list for entirely different reasons: Not only did she keep her career on track; she took it to triumphant new heights with a sold-out world tour, record-setting singles and a string of videos that dropped jaws and raised temperatures. Spears did it all in 2009, and she did it her way.

2009 Highlights: After months of hype — and a legal hurdle or two — Britney kicked off her big-budget Circus tour in March, with a triumphant show in her (sorta) hometown of New Orleans. A two-hour, four-act spectacle, featuring scores of dancers (and even more costume changes), a massive stage, pyrotechnic displays that would've put Metallica to shame, a martial-arts sequence and a cameo by Perez Hilton, Circus was a gleefully over-the-top show, wowing critics worldwide and proving that Spears was back and better than ever.

TOP 9 WOMEN OF THE YEAR

9. The Kardashians
8. Susan Boyle
7. Kristen Stewart
6. Britney Spears
5. stay tuned ...

The Circus tour was Spears' most triumphant moment of the year (it didn't hurt that it ran for nearly all of '09), and its success served as the launching pad for the rest of her comeback. Sultry singles like "If U Seek Amy" (with its censor-tweaking chorus) and "3" (the lone new track from The Singles Collection) were smashes. The latter made Billboard Hot 100 history when it debuted at #1 on the chart (the first time a non-"American Idol" contestant had accomplished the feat in more than a decade).

Perhaps Britney's biggest accomplishment was that, for the first time in her career, she appeared to be the one calling the shots. She slapped restraining orders on her former self-proclaimed manager, paparazzo ex-boyfriend and attorney, made peace (and agreed on a joint custody deal) with ex-husband Kevin Federline and seemed to have found love with boyfriend/manager Jason Trawick. She was also savvy enough to poke fun at both herself and the public's perception of her, with high-profile cameos on "The Late Show With David Letterman" and Madonna's Sticky & Sweet tour.

Among her other newsworthy feats, Britney raged against smokers during her Circus tour stop in Vancouver. She earned seven nominations at the 2009 MTV Video Music Awards, including a Video of the Year nod for "Womanizer," and flirted telepathically with VMA host Russell Brand. Her music inspired director Quentin Tarantino during the filming of his "Inglourious Basterds." And she even launched her very own iPhone app, complete with "sparkler feature."

Which stars had the biggest 2009? Over the next week, we'll be unveiling our top nine most newsworthy, controversial and fascinating men and women of the year. We based our list on factors like music sales, box-office performance, MTVNews.com headlines and traffic, overall reach (crossover singles, appearances in movies, licensing of songs for commercials, clothing lines, etc.), plus X-factors like "impact" and "buzz." (And no, President Barack Obama didn't make the list — we'll leave that to the folks at Time.) This is by no means an exact science, but we think the list we've put together represents the men and women who helped make 2009 the most exciting and memorable 12 months in recent history.

We'll be rolling out our list of the Top 9 Men and Women of 2009 two per day until Friday, when we unveil MTV News' Man and Woman of the year! As always, we also want to know what you think, so weigh in with comments below, or upload them to Your.MTV.com!

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Robert Pattinson Is MTV News' #6 Man Of The Year

Posted: 14 Dec 2009 10:55 PM PST

RPattz expanded on his success in 2009 with a red-carpet-stealing Oscars appearance and the record-shattering 'New Moon.'
By Larry Carroll


Robert Pattinson
Photo: Getty Images/ MTV News

Which stars had the biggest year? All this week, we'll be unveiling our top nine men and women of 2009, counting down to the #1 man and woman on Friday.

6. Robert Pattinson

In 2009, all eyes were on RPattz. Despite only releasing one movie, there were few people whose face sold more magazines, whose every word made more of a ripple and whose public appearances caused such a stir. Under such pressure, a lot of 23-year-old actors would end up getting into trouble, indulging to the point of excess and disappointing their fans. But somehow, the uniquely suited-for-stardom Robert Pattinson took it all with a good-natured grin and self-deprecating charm. In "Twilight" and beyond, his future seems so bright that he'll likely be sparkling for quite some time.

2009 Highlights: We all know Rob had a busy 2009, and everybody had their own thoughts on what he should do after "Twilight." Few saw his first move coming, however, as he dropped out of the indie flick "Parts Per Billion," leaving producer/star Rosario Dawson sad but promising the show would go on. In February, he showed up at the Oscars and stole attention away from stars as big as Brad and Angelina. Despite expressing fears that he might become "Twilighted out" while shooting "New Moon" and "Eclipse" back-to-back, he nevertheless got back to work as Edward Cullen.

TOP 9 MEN OF THE YEAR

9. Eminem
8. Drake
7. Kanye West
6. Robert Pattinson
5. stay tuned ...

At the MTV Movie Awards, Rob unveiled a new trailer from "New Moon," Kristen Stewart left him longing for a cold shower, and he cracked up watching KStew fumble her trophy. During an exclusive interview, he promised that "New Moon" would look "amazing." Rob later returned for the Video Music Awards alongside Kristen and Taylor Lautner and helped raise eyebrows with their fashionable duds.

Despite rumors that his reduced screen presence in "New Moon" would keep him away, Rob made a surprise appearance at San Diego's Comic-Con to show off footage from the movie, reflect on a hallucinating Bella and hang out with the geeks. Things sure were a lot different than they were a year ago — even if Rob insisted he's stayed the same.

In the midst of all the hype, rumors and insanity, Rob actually managed to make movement on some non-"Twilight" movies in 2009. His romantic drama "Remember Me," opposite Emilie de Ravin, had a memorable time shooting in New York, which appears to have left him brooding after that time he was almost killed by a taxi — or barely grazed, depending on whom you ask. He also signed on to "Unbound Captives," a western co-starring Rachel Weisz that offered Rob the chance to play a character who "can't really be more different from Edward." He also signed on to "Bel Ami," a film that pits him opposite Uma Thurman as a "totally immoral character."

But all that paled in comparison to when he hit the "New Moon" premiere, looking fashionable as he greeted the fans and talked about the good and bad parts of being, well, him. Fans freaked out when he hit the Hot Topic tour opening night, and in a very revealing Rough Cut with MTV News, he spoke about his lack of endorsement deals, why "New Moon" is his favorite "Twilight" book, what he loves about Kristen and Edward's annoying habit of parking his Volvo across multiple parking spaces.

To make a long story short, "New Moon" had a record-shattering opening and became one of the biggest films of 2009. Now, with Taylor Lautner hosting "Saturday Night Live," we continue to hope that RPattz can't be far behind — so let the guy write a sketch already! Edward might be a jerk, but of all the dudes who hang out in our office on a regular basis, Rob will always remain our favorite seasonal vegetable.

Which stars had the biggest 2009? Over the next week, we'll be unveiling our top nine most newsworthy, controversial and fascinating men and women of the year. We based our list on factors like music sales, box-office performance, MTVNews.com headlines and traffic, overall reach (crossover singles, appearances in movies, licensing of songs for commercials, clothing lines, etc.), plus X-factors like "impact" and "buzz." (And no, President Barack Obama didn't make the list — we'll leave that to the folks at Time.) This is by no means an exact science, but we think the list we've put together represents the men and women who helped make 2009 the most exciting and memorable 12 months in recent history.

We'll be rolling out our list of the Top 9 Men and Women of 2009 two per day until Friday, when we unveil MTV News' Man and Woman of the year! As always, we also want to know what you think, so weigh in with comments below, or upload them to Your.MTV.com!

Related Videos Related Photos

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