Jumat, 27 Maret 2009

MTV News

MTV News

What T.I. Is Facing At His Sentencing Friday

Posted: 26 Mar 2009 03:46 AM PDT

'T.I.'s Road to Redemption: The Reckoning' will air Tuesday at 9 p.m. ET.
By Jayson Rodriguez and Jocelyn Vena


T.I. in "T.I.'s Road To Redemption"
Photo: MTV

On Friday, T.I. will appear in an Atlanta court to be sentenced for felony weapons charges. The rapper, who was arrested in 2007 after trying to illegally purchase firearms, had previously worked out a plea deal that significantly cut down his jail time.

T.I. — who will discuss how he feels about his upcoming jail time on "T.I.'s Road to Redemption: The Reckoning," airing Tuesday at 9 p.m. ET on MTV — made a plea deal last March that suggested if he completed 1,000 hours of community service before sentencing, paid a $100,000 fine and agreed to complete another 500 hours of community service after his time behind bars, he would be sentenced to a year and a day in prison.

The sentence is notable, according to legal experts, because of the specific length. If T.I. were to be sentenced to one year in prison, for example, he would be required to complete the entire sentence. The sentence of one year and one day could allow T.I. to be released earlier for good behavior, if warranted.

The trouble started for T.I. on October 14, 2007, on the eve of the BET Hip-Hop Awards in Atlanta, when T.I. was arrested after attempting toillegally purchase weapons and a search of his home turned up even more firearms. According to a Vibe cover story, T.I. will report to jail within a 30- to 60-day time frame. What allowed T.I. to strike his unique deal in the first place was a U.S. Supreme Court ruling in January 2005 that said federal sentencing guidelines were suggested and not mandatory.

T.I. addressed the upcoming jail sentence during the series finale of "T.I.'s Road to Redemption," which aired Tuesday. In 2008, he said he'll use his time behind to bars to make a post-jail plan.

"Presumably, while I'm there, I'll be able to strategize my comeback," Tip said. "All those days will be spent speaking to people who are interested in being in the T.I. business. Preparing myself for the days those doors open, when I put my feet back on the ground of the free world. It's just months of planning. It's just a long time to roll the project out. I ain't gonna just be sitting still doing nothing. The wheels will be turning, just the car ain't going nowhere."

Don't miss "T.I.'s Road to Redemption: The Reckoning," airing Tuesday at 9 p.m. ET/PT on MTV.

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Ruben Studdard Covers Michael Jackson, Bryan Adams On <i>Love Is</i>

Posted: 26 Mar 2009 06:02 AM PDT

'American Idol' winner also co-wrote a handful of songs on the new album, due May 19.
By Gil Kaufman


Ruben Studdard
Photo: Shore Fire Media

It's been almost three years since former "American Idol" winner Ruben Studdard has released an album. But the man they call the Velvet Teddy Bear has spent that time cooking up some new tunes and unique covers for his upcoming album, Love Is, which he thinks will lure back his longtime admirers.

"A lot of people will be pleasantly surprised. ... The music is really good," said the laid-back singer, who performed the silky first single "Together" on "Idol" Thursday night. After parting ways with his longtime label following the disappointing sales of 2006's The Return, Studdard, 30, regrouped and hooked up with two of the most accomplished R&B producers in the business, Jimmy Jam and Terry Lewis (Janet Jackson, Usher, Mariah Carey), who produced the majority of the new album.

"I co-wrote four to five of the songs," said Studdard, who is releasing the album of love songs through Hickory Records/ 19 Recordings on May 19. "This time, the record company was willing to let me be more involved in the process. Not to say that J Records wasn't, but the proof is in the pudding!" Studdard said Jam and Lewis have the unique ability to bring the best out of the artists they work with, and the duo pushed him to go beyond his comfort zone.

That might explain how he came to cover such nontraditional tunes as hair-metal act Extreme's smash "More Than Words" and Canadian rocker Bryan Adams' "Heaven," with an assist on the latter from Boyz II Men.

He also tackles Michael Jackson's "I Can't Help It" on the album, which includes an original tune Studdard co-wrote for his wife called "A Song for Her." Along with Jam and Lewis, the album features co-production from New Jack Swing legend Teddy Riley and Big & Rich's John Rich.

While he's been busy touring in a revival of the Fats Waller Broadway musical "Ain't Misbehavin'," in which he stars alongside fellow "Idol" alums Frenchie Davis and Trenyce, Studdard is looking forward to getting back to being an R&B singer after a rough few years in which he's endured some financial stress due to tax issues, successfully sued a former manager, gotten married and lost more than 100 pounds after once tipping the scales at 450 pounds.

"It's a lot of work. We dance from top to bottom," Studdard said of his eight-show-a-week schedule on "Misbehavin'," which he'll be on the road with until May. "But I'm excited to get back out there and do a promotional tour and do some radio stuff and hopefully after that get some tour dates together."

Studdard has also teamed up with the Sickle Cell Anemia Foundation to spearhead the health campaign "Be Sickle Smart," encouraging sufferers of the blood disease — which primarily affects African-Americans — to learn more about maintaining a healthy diet.

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

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Rihanna's Tattoo Artist Explains Her New Ink

Posted: 26 Mar 2009 01:44 AM PDT

New York-based BangBang thinks singer's gun tattoo represents strength and power.
By Jocelyn Vena


Rihanna
Photo: Michael Tran/ FilmMagic

Rihanna isn't shy about getting tattoos. When she wanted a new one, she flew her friend BangBang, a New York-based tattoo artist, to her home in Los Angeles to give her new ink.

"She flew me out for the purposes of tattooing one of her friends," he said. "I've tattooed her a few times, and she gave me a call and asked if I could come out to her house. I wound up tatting her as well. We've been playing with it for about a year, and I was at her house, and I suggested she finally get the gun."

BangBang — who also did the star tattoos on Rihanna's back, the Roman numerals on her shoulder and the word "Shhh ... " on her finger — said the singer seemed in great spirits when he was at her house. Rihanna has been in the news a lot lately because of an alleged altercation with boyfriend Chris Brown last month. "I don't really know what's going on with her," he said. "She's great. She's perfect. We had a blast, and we had a lot of fun."

When he got there, Rihanna had an assistant and some friends over. BangBang said he thinks the gun tattoo represents strength and power. Initially, the duo wanted to put the tattoo below her shoulders near her armpits but changed it to her ribcage because "it takes away from her face. You don't want to be starting at tats. You want to be staring at her face."

Rihanna didn't express any reservation about getting the gun tattoo. "People are going to react all different ways," BangBang said. Rihanna and BangBang already have more tattoo plans up their sleeves. "We got something planned for this year," he said. "She's awesome. She really is."

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John Cena Wants To Work With 50 Cent: 'Hit Me Up!'

Posted: 26 Mar 2009 05:39 AM PDT

'12 Rounds' star says he's 'still trying to keep in touch with the hip-hop.'
By Shaheem Reid, with additional reporting by Josh Horowitz


John Cena
Photo: MTV News

Former WWE World Heavyweight Champion John Cena said he's listening to a lot of vintage country music these days, from Willie Nelson to Waylon Jennings, but he's still heavily into hip-hop. On Wednesday in New York, he was in Cold Stone Creamery, freestyling and telling MTV News about a few rap collaborations he has coming up even while he was touting his new action flick from "Cliffhanger" director Renny Harlin, "12 Rounds.".

"Still trying to keep in touch with the hip-hop," said Cena, who will be trying to get his belt back at a World Heavyweight Title Triple Threat Match on Sunday at "WrestleMania XXV" against Edge and the Big Show. "I did a song with Snoop. I'm about to do something with Rick Ross. Doing some stuff with [Tha] Trademarc — he helped me do my solo project, so I'm returning the favor there. Freddie Foxxx [a.k.a.] Bumpy Knuckles, who did our track "Bad Bad Man," which is featured on Seth Rogen's new trailer [for] 'Observe and Report.' [Seth] kinda hooked it up. A good look for us there. I'm doing some stuff with him. And I'm kinda on call. I did some stuff for Back40 Records, which is an independent label owned by Carl Edwards, NASCAR driver. ... I'm getting in where I fit in."

Cena said his busy schedule as a wrestler and actor doesn't afford him much time to focus on a follow-up to his 2005 rap debut, You Can't See Me. However, he does want to work with the G-Unit on some things.

"There was awhile where it was cool to beef with everybody," Cena said of the 50 Cent vs. Rick Ross feud. "I think that stuff has died down. So I don't know the legitimacy of this beef. And 50, if you're out there listening, I love

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New Green Day Video To Premiere On MTV April 24

Posted: 26 Mar 2009 08:26 AM PDT

'Know Your Enemy' is first single from forthcoming 21st Century Breakdown LP.
By James Montgomery


Green Day
Photo: Larry Busacca/ Getty Images

The video for "Know Your Enemy," the first single from Green Day's hotly anticipated 21st Century Breakdown album, will premiere exclusively on more than 250 MTV on-air and online outlets worldwide on April 24.

The clip will premiere at 8 p.m. ET on MTV, MTV2, MTV Hits, VH1, The N, and MTV Networks' HD channel, Palladia — plus MTV and VH1's international channels — in addition to MTV.com and VH1.com. All in all, "Enemy" will debut in 134 countries across Latin America, Europe and Asia.

Green Day will actually film the "Know Your Enemy" video this weekend in Los Angeles. Collaborative directorial team Motion Theory — who have worked with acts like Adele, Modest Mouse and Beck — are reported to be helming the clip.

On Wednesday, Green Day finally announced that Breakdown, the follow-up to their mega-selling 2004 album American Idiot, will be released on May 15. "Enemy" — a stop-start standout on Breakdown — is scheduled to hit digital retailers in April.

21st Century Breakdown, produced by alt-rock guru Butch Vig, will reportedly feature 16 tracks, and be split up into three "acts": "Heroes and Cons," "Charlatans and Saints" and "Horseshoes and Handgrenades." The band has been working on the album since at least 2006. They told MTV News in June of that year that the album was shaping up to be "an event," and have taken sporadic breaks to focus on a myriad of side projects, including frontman Billie Joe Armstrong's gigs with Pinhead Gunpowder and the band's brief stint masquerading as hard-partying gararge-rockers the Foxboro Hot Tubs.

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'American Idol': Adam Lambert's 'Tracks Of My Tears' Steals Show

Posted: 26 Mar 2009 06:25 AM PDT

Smokey Robinson mentors contestants for Motown night.
By Gil Kaufman


Adam Lambert on "American Idol" on Wednesday
Photo: Frank Micelotta/ Getty Images/ Fox

A couple of things became clear on Wednesday night as the "American Idol" top 10 celebrated 50 years of Motown: The night's mentor, label legend Smokey Robinson, is one of the nicest look-on-the-sunny-side guys in the world, and, more importantly, no one is safe. As if last week's Grand Ole Opry round didn't prove that some of this season's favorites are a bit vulnerable, Motown week practically leveled the playing field.

A pair of singers who were expected to kill it and cement their front-runner status, Lil Rounds and Danny Gokey, got middling to not-great remarks, and the one singer whose over-the-top, pseudo Broadway metal sound seemed least fitting for the soulful smoothness of Motown, Adam Lambert, drew gasps (and the season's first standing O from judge Kara DioGuardi) with a heartfelt, restrained ballad.

First up was Matt Giraud, who chose Marvin Gaye's iconic "Let's Get It On" and gave the tune his unique spin by turning it into a Memphis soul shakedown that was more Al Green than Gaye. Randy Jackson loved it, saying Giraud was now a contender for the top spot, while Kara liked how he started at the piano and then worked the crowd as he came out of his shell a bit.

Paula Abdul praised his "sexy, cool" vibe and said his performance was like wearing a great old, comfortable pair of jeans, and even Simon Cowell gave him props, saying he picked the perfect song and reiterated that he was now one of the front-runners.

Kris Allen also picked a Gaye song, "How Sweet It Is (To Be Loved by You)," strapping on his acoustic guitar for a John Mayer-esque funky folk take with an assist from a trio of onstage backup singers. Kara loved how he avoided both the James Taylor lite rock version and the Gaye original by carving his own unique path. Paula said the song choice was right and his personality is beginning to shine, while Simon called it "smart" but suggested he develop some swagger to show his confidence, encouraging him to be more conceited.

Though there was a debate between Paula and Simon last week as to how Scott MacIntyre should perform, Mac decided to stay behind the piano again for a somewhat stiff New Orleans boogaloo through the Supremes' "You Can't Hurry Love." It proved to be a poor choice, and the judges weren't shy in their criticism.

Paula praised the addition of a trio of backup singers as they helped mix things up, but the rest of the panel wasn't buying it, with Simon joking that the song's lyric "How much more can you take" said it all. He called the "honky-tonk" piano all wrong, said the song choice was "cheap" and the backup singers were a mess. "Week after week, for whatever reason, you are choosing the wrong songs," Simon told MacIntyre. Randy lamented that it felt like a very "hotel"-style performance and was not risky enough at this point in the competition.

Things did not go so well for Megan Joy (Corkery) either. She again brought her signature quavery jazz-club vocals, this time to Stevie Wonder's "For Once in My Life," adding a bit of calypso feel to the tune as she shimmied out past the stage to work the crowd. Randy didn't love it, calling it a "train wreck" and dubbing the tempo all wrong for Megan's vocal style. Kara said it was all over the place and suggested that the song overtook the singer, and Simon cut to the chase and called it just plain horrible, speculating that Megan could be in serious trouble.

Anoop Desai gets brownie points for choosing Smokey Robinson and the Miracles' classic ballad "Ooo Baby Baby," slowing it down and leaning hard on his feathery falsetto for an extra sensual touch. Kara praised him for capably handling a really hard song, and while Simon called it a "great vocal," he said Desai looked a bit sleepy and lacked showmanship. Randy liked how he brought the croon and swoon but recommended that he "get the party on" again next week.

Michael Sarver promised to take the Temptations' "Ain't Too Proud to Beg" to church with some gritty vocals. He did in fact add a bit of gravel to his usually smooth delivery, along with some gospel fervor, but even Paula couldn't find anything nice to say about it, calling it old and Las Vegas lounge-y. Simon couldn't wait for it to end because he said Sarver was screaming and shouting the tune, adding that he thinks the Texas roughneck has no chance of winning the competition. "In the real world, it just isn't good enough," Simon said.

As we predicted, it was Lil Rounds' week to lose, and while she didn't crash and burn, she might be rethinking her choice of Martha and the Vandellas' "(Love Is Like a) Heat Wave." At first struggling to keep up with the song's rapid tempo, Rounds eventually found her pocket and wrapped her powerhouse vocals around the bouncy song to give it some signature Lil attitude.

Randy didn't love the rushed beginning but said she found her stride by the end, and Kara was all about Lil's sassy flapper look, even if she didn't deliver on the diva performance everyone was expecting. "It wasn't the right song," Kara said, knocking Rounds for not interpreting the tune more and screaming at times. Paula said Rounds gave the song a fresh sound, and Simon found it to be an authentic tribute, even if the tune didn't give Rounds a moment that would make her stand out.

And then there was wild card Adam Lambert, who made the gutsy call of the Robinson-penned "The Tracks of My Tears." After taking Johnny Cash to Marrakech last week, theater veteran Lambert completely switched things up again by closeting the goth-rocker look for a gray suit, a Chris Isaak pompadour and a tender, unplugged take on the classic song.

The restrained, vulnerable cover crescendoed with an extended falsetto wail at the end that drew a standing ovation from Robinson, Motown boss Berry Gordy and Kara. "One of the best performances of the night," she said simply, though Simon soon corrected her and called it the best performance of the night. The normally acerbic judge, who hated Lambert's "indulgent" performance the week before, praised his originality and song choice and said, "You, tonight, really have emerged as a star for me."

It was the Temptations' "Get Ready" for Danny Gokey, who played it pretty straight, staying true to the song's up-tempo rhythm, while adding some of his signature gospel growl. Simon called it clumsy and amateurish, Randy said it reminded him of the great Motown icon Levi Stubbs, even if it wasn't his best performance, and Kara said it was good, not great.

Teen wonder Allison Iraheta closed the show with the Temptations' rockin' "Papa Was a Rollin' Stone," grabbing hold of the song and working it like a 40-year-veteran soul belter playing to a packed, sweaty club. "You might be 16, but you're one of the dopest singers in this whole thing," Randy enthused. "Oh my god," Kara added, calling the performance amazing and adding that it sounded like Iraheta had been singing for 400 years. Simon called her a survivor and said it was one of her best performances.

The singers will find out who goes home (or possibly gets the judges' save) Thursday night (March 26), when Robinson performs along with "Idol" alum Ruben Studdard.

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

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Young Jeezy, T.I. Among Atlanta Hawks' ATL Favorites

Posted: 26 Mar 2009 04:13 AM PDT

Ballers also share their favorite hot spots in the A.
By Shaheem Reid


Young Jeezy
Photo: Frank Micelotta/ Getty Images

The Atlanta Hawks have definitely been one of hip-hop's favorite teams ever since the days when #21, Dominique Wilkins, was smashing the competition alongside Spud Webb with his patented Tomahawk Dunk. Everyone loved when 'Nique battled it out with Michael Jordan for the slam-dunk titles. To this day, some people say "The Human Highlight Film" was robbed in Chicago in 1988 when his Airness was crowned the champ — but that's a debate for another day.

Today, the young Atlanta Hawks players are making 'Nique proud, becoming playoff contenders. In June, around the time of the Birthday Bash, the city's biggest hip-hop concert of the year, the Hawks were giving the Boston Celtics hell in their first-round matchup. You could hear DJs like Greg Street shouting out the hometown team on the radio airwaves and rooting them on. All-Star Josh Smith and his gang set A-Town on fire and are looking forward to going even further in this year's playoffs.

As Atlanta Week on MTVNews.com nears a close, there's no way it would be complete without the ballers repping just like all the town's artists. Here, the Hawks let everyone know some of their favorite rap acts and songs, as well as their own personal go-to spots.

Josh Smith
Favorite Atlanta-based artists
» T.I.
» Ludacris
» Young Jeezy
» Young Dro
» Parlae

Favorite Atlanta restaurants
» Fletcher's
» Twist
» Strip
» Prime
» Benihana

Zaza Pachulia
Favorite Atlanta restaurants
» Twist
» Market at the W Hotel
» Pricci
» Aja
» Capital Grille

Favorite Atlanta clothing stores
» Armani
» Gucci
» Barneys New York
» Neiman Marcus
» Phipps Plaza

Marvin Williams
Favorite songs by Atlanta-based artists
» T.I. - "Live Your Life"
» Young Jeezy - "Get a Lot"
» Young Jeezy - "Gangsta Music"
» Ludacris - "One More Drink"
» Bobby Valentino - "Beep Beep"

Al Horford
Favorite Atlanta restaurants
» Dolce
» Cheesecake Factory
» Fellini's
» Quisqueya
» Rise

Mike Bibby
Favorite Atlanta restaurants
» Cheesecake Factory
» Morton's
» Ruth's Chris
» Maggiano's

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Flo Rida Wanted For Alleged Animal Cruelty Case

Posted: 26 Mar 2009 01:44 AM PDT

Reports state that witnesses saw two people on the rapper's tour bus kill a rabbit.
By Gil Kaufman


Flo Rida
Photo: Miguel Garcia/ Getty Images

As Flo Rida drives around the country promoting his upcoming album, R.O.O.T.S., the "Right Round" rapper has come under scrutiny for an alleged incident involving animal cruelty.

According to Lexington, Kentucky, television station WKYT, police are still looking for the MC's tour bus — which is wrapped in a huge advertisement for his album and single — because of allegations from witnesses that two men exited the vehicle on Wednesday in Lexington and committed an act of cruelty on an animal.

A witness told an animal-control officer that they reportedly saw the men kill a rabbit, get back on the bus and drive away. Lexington Police, Kentucky State Police and Lexington Animal Control began investigating the incident immediately. When contacted on Thursday, a spokesperson for the Lexington Police confirmed that the department has issued an alert in an attempt to find the bus, but had no further information on the alleged incident. A spokesperson for Lexington Animal Control did not return calls for comment at press time.

It's unclear if Flo Rida (born Tramar Dillard) was involved in the alleged incident, but the rapper's label has issued a statement in which Rida denies anyone in his entourage harmed an animal. "While no one in my party was in any way involved in any incident, the media report that I saw was sickening. As an animal lover, I would never want to see cruelty inflicted upon them."

WKYT reported that at this point animal-control officers just want to question the people who were on the bus. Flo Rida's label had no further comment on the allegations.

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Ruben Studdard Excited About 'American Idol' Return

Posted: 25 Mar 2009 11:11 PM PDT

Singer will perform 'Together,' the first single from his upcoming fourth album.
By Gil Kaufman


Ruben Studdard
Photo: Matt Stroshane/ Getty Images

It's been a little while since "American Idol" fans have seen season-two winner Ruben Studdard. But the Velvet Teddy Bear will change all that Thursday night (March 26) when he steps on the "Idol" stage again, capping a three-week blitz of returning former "Idol" stars visiting the show that has also included performances from Kelly Clarkson and Carrie Underwood.

"It's like I never left," Studdard said Wednesday evening after a day of "Idol" rehearsals. The singer flew into Los Angeles early Wednesday morning following a performance the night before in a touring production of the musical "Ain't Misbehavin'."

The singer compared returning to "Idol" to going back to your old high school. "You see all your old teachers and you get a chance to see the people who really had a part in helping you get to where you are," he said. But, unlike when you peek into your lunchroom and it suddenly seems so small, Studdard said the glitzy new stage is way "bigger and flashier" than the one he remembers standing on when he won his crown.

Studdard, 30, joked that while he and his fellow contestants had some help from stylists, "These kids now get to wear designer clothes every week! We didn't get to wear Dolce & Gabbana, that's for sure."

Studdard is returning just in time to celebrate "50 Years of Motown" on a show that will also feature a performance from Smokey Robinson. Studdard will perform his buttery-smooth Stargate-produced ballad "Together" on TV for the first time. The song is the first single from Studdard's upcoming fourth album, Love Is, his first effort since parting ways with longtime label J Records in 2007. The album, due May 19, mostly features production by Jimmy Jam and Terry Lewis, with the Grammy-nominated Studdard stepping up to co-write four of the songs himself.

"I miss the people [from the show]," he said. "But I don't think I'd want to do the 16-hour days again, though. And to come back on Motown night ... I grew up listening to Motown music, so this will be a fun show for me to do."

Though he's been busy recording and touring with "Misbehavin'," Studdard has stayed close to his "Idol" roots, returning several times to perform. He also provided the farewell song for season seven with his cover of Kenny Loggins' "Celebrate Me Home," which he performed last May on the first night of the finale.

Though he hadn't yet seen the judges when MTV News spoke to him, Studdard said he was looking forward to seeing Randy, Paula and Simon and meeting new judge Kara DioGuardi.

Busy on the road with the musical, Studdard said he's only seen one episode of "Idol" so far this season and was reluctant to say who he favors in the competition. "It's so early on now, and everyone is trying to work out their nerves and get accustomed to being away from home," he said. "I haven't talked to them yet, but the only thing I can say to them is to stay focused. There's a lot going on. Your home life doesn't stop because you're on the show, but you have to focus on the goal at hand because the most important thing while you're there is performing well."

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

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Shawty Lo Recalls Fast-Paced Youth In His Atlanta 'Hood

Posted: 26 Mar 2009 04:53 AM PDT

Rapper takes us on a tour of the complex he grew up in, which is about to be torn down.
By Shaheem Reid


Shawty Lo
Photo: MTV News

ATLANTAShawty Lo's hair and beard look like they were drawn on his skull.

"They tell me that," Lo said with a grin as he drove into his old neighborhood of Bowen Homes. "Man, you know I got a crazy barber. His name is Bobby. He's a fool with it. He charges $50 for a shape-up, $100 for a haircut. He doesn't even work out of a shop. He's got a pair of gold clippers, and this is what he do."

Lo gets his hair cut twice, maybe three times a week, depending on his schedule. "Basically, the projects I was born in, Bowen Homes, they tearing it down, I guess because there's been so many murders and assaults and so much stuff went on in the apartments," Lo said, driving at a snail's pace through the 'hood. "They decided they should tear it down.

"It's like a town of its own," he said about the low-income housing complex. "It's a baby Atlanta of its own [inside Bowen Homes]. A lot of people are gonna be lost. A lot of people didn't pay rent. Rent is probably $13 or $20. They're giving people vouchers to move out, but a lot of people are gonna be lost."

Back in the day, when Shawty was just a shorty, you would hear tales of a hustler blasting from cars as the local dope boys would post up. Biggie, Tupac, Jay-Z, Master P, UGK and 8Ball & MJG were all neighborhood favorites, and while the hip-hop music articulated what Lo would see the hustlers do outside his window, he developed dreams. He wanted to be just like them — the hustlers, not the rappers.

"I used to live right here, apartment 479," he said, pointing to a now-boarded-up apartment. The place where Lo used to live with his grandmother and sister mirrors most of the cribs in the housing complex: They are boarded up and the residents have moved out.

"I used to see the dope boys doing their thing," Shawty described. "I didn't idolize Michael Jordan or nothing like at. I used to see the dope boys talking to the girls in their Cadillacs."

Despite the negative influences, Lo, who was known just as Carlos while growing up, still acted like a kid. One of his favorite activities was balancing himself on a steel barrier that still stands outside of his old house.

"I don't know if I can still do it," he said with a grin as he walked up to it. "It done got smaller. I got my Ballys on."

After getting help climbing on top of the barricade, he walked like he was walking a tightrope in the circus but quickly started to lose his balance and jumped off.

"I can't get it no more," he laughed. "It's shaking. I used to walk it all the way down when I was younger. ... I'm too old now."

When young Carlos was growing up, his mother was on drugs, his father wasn't around, and his grandmother had meager means to take care of him and his sister. As a teen, he began running wild around the Bowen Homes, sticking people up and eventually selling drugs. He was living life so fast, he didn't even know he had his first child until a year later.

"I wasn't in no delivery room," he said. "I didn't know about the first one until the next summer. I was a teenager. My grandmother was taking care of me. I was 16 going on 17. The girl would come out here; she used to stay with her auntie. She came back the next summer talking about, 'I got a baby.' I took the baby to my grandmother. My grandmother was like, 'Boy, get that baby outta here.' It was crazy."

Lo has nine kids now: seven girls and two boys. He said he was in the delivery room for the birth of the last two.

Lo almost missed the birth of his rap career. After 10 years of skullduggery in the street, he decided to slow down and concentrate on music in 2003, because the heat was on from the police. His life of crime caught up to him in 2005 — when his group D4L was blowing up with "Laffy Taffy," he was behind bars.

Now reformed, and with the successful debut LP Units in the City under his belt, he's ready to further his career with his second album, I Am Carlos, due in June. Lo said he's lucky to have a career and even more grateful to be alive. He got a reminder of his brush with death as he drove out of Bowen Homes to his D4L Studio, which is less than eight minutes away straight down the block.

"There was an explosion in my nursery school," he said, pointing to a school located in the complex. "The ceiling fell. I was in school that day. They told us to line up [to leave]. I was one of the kids that didn't line up. I ran outta there. Some of them kids died, some got out."

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