Rabu, 05 Mei 2010

MTV News

MTV News


Ke$ha Calls 'Your Love Is My Drug' Video 'A Psychedelic Trip Of The Mind'

Posted: 05 May 2010 03:51 AM PDT

Her 'Saturday Night Live' performance was 'sort of a preview of the video,' she tells MTV News.
By James Montgomery


Ke$ha on the set of her "Your Love Is My Drug" video set
Photo: Eric Ford/ On Location News

EAST RUTHERFORD, New Jersey — If you were somewhat puzzled by Ke$ha's "Saturday Night Live" performance last month, well, then you should probably prepare yourself to be positively flabbergasted by her upcoming "Your Love Is My Drug" video.

"The 'SNL' performance was sort of a preview of the video," Ke$ha told MTV News on Saturday at the Bamboozle festival. "So, if you didn't like that ... I don't know what to tell you."

And while that seems to be in keeping with Ke$ha's new "f--- the cynics" motto, a whole lot of body paint and laser beams don't exactly sound like a fully fleshed-out video. So we asked her to expound on the clip, which she described to MTV News last month as being primarily about playing with "animals and a hot bearded guy in the desert." But from the sound of things, it basically seems like that's the whole premise — which is sort of awesome and exactly what Ke$ha wanted to do all along.

"I wrote this song on an airplane in, like, 10 minutes and finished it with my mom. So it's one of my favorites. It's stupid and fun. You can't take it too seriously," she said. "And so, the video, I wanted it to be like a psychedelic trip of the mind, comparable with being so disgustingly in love with someone that you lose your head. So I ride an elephant — no big deal! — and, um, I dance around a cave with black-light body paint and a python. I was in a cave, in the desert, and it was really fun. This video was inspired by the Beatles' 'Yellow Submarine' movie, the animation aspect. There's a little bit of [that] in there too."

Oh, and there's the bearded dude too. Turns out, Ke$ha wasn't trying to cash in on the burgeoning "urban woodsman" trend by casting a hirsute guy in the "Drug" video — she's actually been into guys with facial fuzz for a while now.

"I've always been into bearded dudes. Hello, I'm from Nashville, I'm into hillbillies," she laughed. "The redneck look is hot right now, and that's great for me. I'm over dudes trying to look like they're in boy bands."

Are you excited to see Ke$ha's new video? Do you love guys with beards too? Let us know in the comments!

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Ludacris Recalls Pushing Pizzas On 'When I Was 17'

Posted: 05 May 2010 03:51 AM PDT

Luda calls his Pizza Hut gig 'beautiful' on the show, airing Saturday at 11 a.m. on MTV.
By Jayson Rodriguez


Ludacris
Photo: MTV News

Ludacris wears many hats these days — recording artist, actor, entrepreneur — but when the Atlanta MC was younger, the riches weren't exactly raining down like they are these days.

"At the age of 17, I had a job at Pizza Hut," Ludacris reveals during the next episode of MTV's new show "When I Was 17," which airs Saturday at 11 a.m. and also features "Biggest Loser" trainer Jillian Michaels and Pete Wentz.

Ever the hustler, Luda pushed pizzas at the restaurant chain for a particular reason.

"Not only did I get a job at Pizza Hut to get a little extra change in my pocket, but I also did it so that I could eat," he explained. "I lived with my father. God bless my father, I love him to death, may he rest in peace, but my father did not know how to cook. Simple as that."

There seems to be room for debate between 'Cris and his friends about how much he actually enjoyed his employment.

"I loved working at Pizza Hut, 'cause it was a hell of an experience," he said, smiling and calling the job "beautiful."

"Well, he told me working at Pizza Hut was one of his worst jobs ever," the rapper's friend Kiah recalled.

The Disturbing Tha Peace CEO worked in the kitchen making the pies, which, according to another friend Ryan, didn't help him land any hot dates.

"He hated that job," Ryan said. "I know it wasn't really helping his love life. ... Working at Pizza Hut? That ain't gangster."

At least we know Ludacris has moved on to bigger and better things.

"When I Was 17" — this week featuring Ludacris, Jillian Michaels and Pete Wentz — airs Saturday at 11 a.m. on MTV.

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Olivia 'Confused' By Drake's Reaction To Mixtape Song 'Control'

Posted: 05 May 2010 03:51 AM PDT

Drizzy released a statement denouncing Olivia's Under the Radar track, in Mixtape Daily.
By Shaheem Reid


Olivia
Photo: G-Unit

The O.D.: A Mixtape Daily Exclusive

Olivia said that if a song goes on a mixtape, it should be no holds barred. The former G-Unit artist said she was shocked that Drake released a statement to the press denouncing a song she has on her new Under the Radar tape called "Control." The record features a verse by Drake he recorded some time ago.

"I support artist collaborations and sampling music that inspires you, but I don't support taking unauthorized recordings and marketing them as features," Drake said in the statement last month. "I've never worked with Olivia, and I apologize to any fan who was duped into thinking that 'Control' was a collaboration of mine."

Liv was livid at the statement.

"I think that was corny, because it's a mixtape," she said last week while visiting MTV's offices. "[Drake] started off doing mixtapes. Are you serious? You really serious right now? I was like, 'Wow.' The producer sent it to me, everything was done. I'm thinking [Drake's] part was signed off on. The producers sent it to us saying, 'It's done. Can you do the record?' I'm like, 'Sure.' I was recording with Sean Kingston then, so it took us awhile to get back to them. Finally sent it back to them. ... Soon as we sent it back, we heard [the song] was out. So when I heard everything going on, I was like, 'Is he trying to hate right now?' I'm confused. I thought that was what mixtapes were for. First of all, we heard you got paid for it. It was cleared. So I'm like, 'Wow. That's how we doing right now?' But I'm good, 'cause you gave me more publicity. Thank you! Shout-out to Drizzy!"

Under the Radar features the controversial Drake record, plus other guests, including Maino, Serani, Webstar and 50 Cent.

"I wanted to put out new material for all my fans," O said. "They hit me every day on my Internet pages and say, 'What's up with all the new material? We want to hear some new stuff!'

"I got real supporters," she added. "That's what I have to say. "It's a blessing. Sometimes I feel a little discouraged because of the way stuff went down with the Unit. I don't regret anything, because I loved being there. But I wanted to be a solo artist. I wasn't treated as a solo artist; I was treated as part of the group."

For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines or follow the Mixtape Daily team on Twitter: @shaheemreid and @mongosladenyc.

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'American Idol' Sinatra Night Swings With Michael Lynche, Lee Dewyze

Posted: 04 May 2010 07:08 AM PDT

Crystal Bowersox, Casey James and Aaron Kelly fail to impress, despite Harry Connick Jr.'s mentoring.
By Eric Ditzian


Michael Lynche on "American Idol" Tuesday
Photo: Fox

Would Ol' Blues Eyes have been proud? Hmmm. "American Idol" gave itself over to Frank Sinatra on Tuesday night (May 4) with decidedly mixed results. While Michael Lynche and Lee Dewyze blew the judges away with their jazzy stylings, Crystal Bowersox, Casey James and Aaron Kelly failed to impress — or, worse, simply failed.

Kelly, who avoided the bottom three last week with a respectable take on Shania Twain's "You've Got a Way," kicked off the evening and veered away from the slow-tempo tunes that have proved to be his relative strong suit all season long. Mentor Harry Connick Jr., meanwhile, kicked the evening off with a zinger, welcoming the diminutive 17-year-old into the rehearsal space with an effusive "Big Mike!"

Of course, Michael Lynche wouldn't take the stage until later in the hour. To begin, it was Kelly and "Fly Me to the Moon." His shaky vocals and tentative physicality seemed to be overtaken by the horns and strings of the big band swinging along behind him. Though Randy Jackson and Ellen DeGeneres thought he pulled off a stellar performance, Kara DioGuardi and Simon Cowell were less impressed. "Compared to last week, I think it wasn't as strong," DioGuardi said.

Next up came Casey James — without his ever-present guitar — for a straightforward take on "Blue Skies." During his pre-performance video, James confessed to feeling nervous, and nervous is exactly how he both looked and sounded. Connick was kind enough to say James did a heck of a lot better during rehearsal, but it remains to be seen if the mentor's assurances will be enough to prove Cowell's half-joking, half-serious suggestion wrong: The 27-year-old singer might not be around next week.

Jackson pulled no punches, declaring it James' worst performance of the season. DioGuardi was no kinder, comparing his singing style to the bleating of a lamb. Ouch. DeGeneres was most succinct — and least mean — when she said simply, "That felt very stiff to me."

By the time Crystal Bowersox took the stage for "Summer Wind," it was clear that Connick's role as the arbiter of arrangement and orchestration was pushing the "Idol" contestants into areas that were not always comfortable nor organic to the types of artists they're striving to become. Without her guitar and wearing an elegant, strapless dress, Bowersox sounded lovely as always.

But Jackson nailed it when he said the performance was "subdued and sleepy." DioGuardi saw it too, saying MamaSox was simply "out of [her] element." Cowell gave her the bottom line: "I think you've had two OK weeks. If you survive next week, it's about being in it to win it."

Sinatra Night was a much better fit for the real Big Mike Lynche, who chose the standard "The Way You Look Tonight." He ditched the R&B vibe that has served him well and went for a more jazzy feel to his song, but it didn't seem to matter to the judges, who all feted his performance.

"You seem to, of everyone else, have the most comfort onstage," DeGeneres said. "You seem to have more experience, and you just move easier than everyone else."

"This has been a tricky night," Cowell said. "If I'm being honest with you, the first three performances have been OK, and now it's all changed."

Lee Dewyze kept the positive change coming for the night's final performance, taking "That's Life" on a trip through the smoky back alleys of New Orleans. Connick stood up to play organ as Dewyze, with a goofy smile on his face, hit more notes than he had in past weeks and generally looked like he was up there having a grand old time.

DioGuardi did her best to convince Dewyze that he really can win "American Idol" if only he'd start to believe in himself. DeGeneres went one step further: "I think if this was the last night of performances, you would have just won this whole thing," she said.

Who had your favorite performances? Who is in trouble? Let us know in the comments!

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

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Miley Cyrus Breaks Free In 'Can't Be Tamed' Video

Posted: 04 May 2010 05:43 AM PDT

'It's not a new Miley; it's just a new part of me,' Cyrus says of the clip.
By Terri Schwartz


Miley Cyrus in "Can't Be Tamed"
Photo: Hollywood Records

Welcome to a whole new Miley Cyrus.

The title track from her newest album, Can't Be Tamed, debuted Friday, and on Tuesday night (May 4), E! News premiered the song's video. In the clip, Miley is trapped in a cage while dressed up like a bird, trashing the museum she's contained in and newly sexualized now that she's Disney-free.

In an interview with Ryan Seacrest that ran after the video's debut, Cyrus said the video wasn't about her new attitude, but about putting a story to the rebellious track. A museum curator introduces "a creature so rare it was believed to be extinct" to a crowd of posh attendees, announcing that "in captivity for the first time, the rarest creature on Earth, Avis Cyrus."

Cue the reveal of Cyrus in a giant cage, dressed in a skimpy black outfit replete with feathers and CGI wings. Someone snaps a photo, and she is startled and shields herself with the wings, causing the guests to become uncomfortable. Then the music starts thumping, and Cyrus and her dancers make their way out of the cage, shattering exhibits as they go. After rolling around in peacock feathers and getting up close and personal with some of her dancers, the video ends with Cyrus back in her cage with the museum empty and trashed.

"The reason I loved doing this video is because I wanted it to be something different for a female artist," Cyrus explained to Seacrest. "It is a sexy video, and you can't really take that away from it, but it's not the premise."

She said her friends and fans have been waiting for her to make a move to the next incarnation of Miley Cyrus for a while, and she thinks this is something they will be proud of. Her "Hannah Montana" fans have grown up with her, she said, and this is the first step for all of them toward "growing up." Her mother, Tish, was on set with her during the video shoot, though she did say she made boyfriend Liam Hemsworth leave the set after 20 minutes so he wouldn't get distracted by all the "hot girl dancers" also on set.

"It's not a new Miley; it's just a new part of me," Cyrus said about the video.

What did you think of Miley's new video? Let us know in the comments!

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Lil Wayne Writes Mother's Day Blog Post

Posted: 04 May 2010 02:35 AM PDT

'You are the role models, not me,' the MC writes from prison in post previewed online Tuesday.
By Jayson Rodriguez


Toya, Reginae and Lil Wayne
Photo: MTV

A preview of Lil Wayne's third blog posting since he began his prison term appeared online Tuesday (May 4) and, in it, the Young Money boss honors the mothers of the world.

Timed to coincide with Mother's Day on Sunday, the full letter will be published on Friday on his fan site WeezyThanxYou.com, launched so the Cash Money rapper could stay in touch with followers while he's away. Wayne pays homage to the all the hard-working women in the web excerpt.

"The love between a mother and her offspring is hands down the most beautiful thing God created," the incarcerated MC wrote on DrJays.com, which obtained an exclusive preview. "More than money, more than fame, more than cars. You know why? Because true love is the only thing that lasts from the moment you're born to the second you perish.

"Everything else eventually leaves, think about it. All love needs to survive is love. To all the mothers who read this letter, I hope this day allows you to feel the love and respect you so rightfully deserve. You are the role models, not me."

The letter will be the second official statement he's penned (excluding an initial update in which he thanked a number of fans by name for writing to him) since a sports post on NFL star Donovan McNabb getting traded. In his first-ever comments after turning himself in for an eight-month sentence on Rikers Island, Wayne opened up about his new daily routines and wrote back to fans who were already sending him correspondence.

"Your letter was so thoughtful and sincere," Wayne wrote in response to Nurris Terrero of New York. "The way you worded everything left me in awe. Please send suggestions on books I should read. I look forward to checking them out."

Are you reading Lil Wayne's blog posts? Let us know in the comments!

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Lee Dewyze Gets Back In The 'American Idol' Race With 'That's Life'

Posted: 04 May 2010 07:08 AM PDT

'If this was the last night of performances, you would have won this whole thing,' Ellen says on Sinatra Night.
By Larry Carroll


Lee Dewyze on "American Idol" Tuesday
Photo: Fox

When Frank Sinatra sang "That's Life," the song became a masterpiece, a devil-may-care case study in the art of cool, careless crooning about enduring the bad days. On Tuesday night (May 4), Lee Dewyze made the song his own, simultaneously conquering his own demons and the specter of the Chairman of the Board.

The spiky-haired "American Idol" dark horse took on a signature tune from Ol' Blue Eyes for the show, with necktie appropriately undone. Accompanied on a Hammond organ by mentor Harry Connick Jr., Dewyze straddled the top of the instrument as if paying tribute to the bar-embracing persona of Sinatra, backed by a bluesy band.

Although feisty Frank likely wouldn't have endorsed Dewyze's untucked shirt, he could surely appreciate the way the 26-year-old Illinois singer poured himself into lines like "Each time I find myself flat on my face/ I pick myself up and get back in the race."

With the performance, Dewyze undoubtedly put himself back into the heat of the "Idol" race.

"If this was the last night of performances," judge Ellen DeGeneres beamed with approval, "you would have won this whole thing."

"You gave it 110 percent," Simon Cowell agreed. "It was the best performance of the night."

"Another great arrangement by a Louisiana boy," Randy Jackson said of Connick's efforts. "You stayed your rocker self. I loved it."

"You can win this thing," Kara DioGuardi said, before urging Dewyze to go home and write down "I can win this thing" 100 times.

Originally composed by Dean Kay and Kelly Gordon for Sinatra's album of the same name, "That's Life" was a huge hit when it debuted in 1966. In the years since, the song has been covered by everyone from Bono to Aretha Franklin to David Lee Roth, and now, perhaps the next American Idol.

What did you think of Lee's performance? Let us know in the comments below!

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

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Beyonce Plays Suffering Housewife In 'Why Don't You Love Me' Video

Posted: 04 May 2010 04:05 AM PDT

Singer does housework in latest clip from I Am ... Sasha Fierce LP.
By Jayson Rodriguez


Beyoncé in her "Why Don't You Love Me" video
Photo: Columbia

Beyoncé may have killed off Sasha Fierce, but it looks like she's introducing a new alter ego in her latest video, "Why Don't You Love Me," which premiered Tuesday (May 4) via her Vimeo page.

In a nod to classic American television, the clip opens with a narrator — in an advertising-styled voice-over — introducing B, "starring as B.B. Homemaker."

Beyoncé then does her best impersonation of Betty Draper, the embattled wife in "Mad Men," who endured the philandering ways of her husband, Don Draper.

"Why don't you need me," B croons throughout, smoking cigarettes, drinking martinis and crying the mascara down her face. "When I make it so damn easy to need me."

The '50s-styled video finds Beyoncé suffering through a number of household chores, including cleaning the kitchen, dusting (her Grammy Awards, no less), and watering the plants, all with no sign of her man.

The video was co-directed by Melina Matsoukas (Eve, Rihanna, Ne-Yo) and Beyoncé.

"Why Don't You Love Me" is the ninth video overall from Beyoncé's 2008 album I Am...Sasha Fierce, following "If I Were a Boy," "Diva" and "Sweet Dreams," among others. It's also her first clip since collaborating on back-to-back visuals with Lady Gaga: her own "Video Phone" and Gaga's "Telephone."

Earlier this year, in an interview with Allure magazine, Beyoncé surprised her fans when she proclaimed that she'd killed off her Sasha Fierce character.

"I don't need Sasha Fierce anymore, because I've grown and now I'm able to merge the two," she explained to the magazine.

It remains to be seen if B.B. Homemaker makes it past the "Why Don't You Love Me" video.

What do you think of Beyoncé's new video? Let us know in the comments below!

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N.E.R.D. Say New Album Is 'Very Psychedelic'

Posted: 04 May 2010 05:54 AM PDT

'It's a fun record and it's geared toward the women,' Shay Haley says.
By Steven Roberts


N.E.R.D. with MTV News' Tim Kash
Photo: Sam Hendrick/ MTV News

N.E.R.D. recorded several tracks for their new album — in fact, they recorded the entire album twice and still weren't happy and, in the end, found themselves with nothing.

"We had several [album] names throughout this process," Shay Haley explained. "It's just one day [Pharrell] called and said, 'What do you think about the album title Nothing?' "

Shay said the group started with a blank slate and ultimately filled it in with songs inspired by two things: touring and women.

The group has toured extensively since before the release of their third album Seeing Sounds in 2008. They've played several festivals, colleges and opened for both Kanye West and Jay-Z. And Pharrell said the touring influenced the type of music they made.

"It's funny — I think we were blessed in that sense," Pharrell explained. "The music is very psychedelic for the most part — 80 percent of it is definitely flower-power, counterculture, release and let yourself be free and have a great time!"

Pharrell also said they wanted to tap into a new understanding of the opposite sex and cater the album more toward women. The first single is "Hot N' Fun" and features Nelly Furtado, who the gang recruited for her distinctive tone.

"We think that the new definition of sexuality is the appreciation of life and the moment, and that's why people should have sex. For the most part, when you and her are there and you're having a special moment, it's like, 'Aww, man, I could have been anywhere in the world, but I'm here with you! This is amazing to me! This is so cool — let's do it,' " Pharrell laughed. "I'm so kidding, by the way."

"It's the ultimate spring, summertime record. It's the festival record, it's a fun record and it's geared towards the women," Shay offered. "What woman doesn't want to put on their sundress and stroll through SoHo and have that as their theme music?"

Nothing is due in stores June 15.

Are you excited for the new N.E.R.D. album? Let us know in the comments below!

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Young Jeezy Talks <i>Trap Or Die 2</i> Mixtape

Posted: 04 May 2010 03:25 AM PDT

'I'm still trapping or dying,' MC says of sequel to his classic 2005 mixtape.
By Shaheem Reid


Young Jeezy
Photo: MTV News

Young Jeezy stopped getting it illegally ages ago, but he still gets it regardless. When he put out his classic mixtape Trap or Die about half a decade ago, The Snowman reflected on his street life throughout the masterpiece project. Now, after millions of albums sold and several tours around the world, Jeezy's life and business is on the up and up, but he still has the Trap Star mentality.

"I feel like I'm at a different place in my life," Young told MTV News about his new mixtape Trap or Die 2: By Any Means Necessary. The tape, which is hosted and produced by Don Cannon, was released on Tuesday (May 4).

"I'm not just sitting around with $300,000 in a Louis bag ... I am, but I ain't," he continied. "To me, I wanted to do Trap Or Die 2 because I'm still trapping or dying. Everyday is a hustle for me. Ain't nothing guaranteed. I gotta get up and get it like I been doing since I was 13 years old. Because I'm doing bigger tours, the album is coming — that don't mean I'm not trapping or dying or that ain't where my mind frame is at. You gotta feed the streets first. That's who gonna rock with you, win, lose or draw. Whether you riding or walking."

On "I Remember," Young addresses the street code of no snitching but relays some life lessons his mother taught him. "Illin' " finds the Snowman teaming with the Clipse as each MC trumpets their mic greatness. "Stop Playing With Me" is a reminder of how much an imposing figure Young can be in the streets or on the mic.

Jeezy next official LP, TM103, is slated for release this summer. The lead cut is "Lose My Mind" featuring Plies.

What do you think of Trap or Die 2: By Any Means Necessary? Let us know in the comments below!

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Selasa, 04 Mei 2010

MTV News

MTV News


Ke$ha On 'Saturday Night Live' Backlash: 'I Don't Care'

Posted: 04 May 2010 03:52 AM PDT

'I had a fun time. I played laser beams,' she says of her divisive performance.
By James Montgomery


Ke$ha on "Saturday Night Live"
Photo: NBC

EAST RUTHERFORD, New Jersey — Ke$ha's recent performance on "Saturday Night Live" was divisive, to put it mildly.

Some saw her two-song set — which featured laser beams, body paint, spoken-word interludes, dancing astronauts, fireworks and an American-flag cape — as an attempt at "artistic expression" gone awry, while others praised her efforts, calling the performance "spirited" and writing pieces in her "defen$e."

Either way, it didn't really matter to Ke$ha. As she told MTV News on Saturday at the Bamboozle festival, she's not listening to anything anyone has to say about her these days.

"If you don't like dancing astronauts, laser beams that play music, me talking about aliens, glow-in the dark things, vocoders and a hot chick, I don't know what to tell you," she laughed. "My new theory is ... I don't really listen or look at anything. But I have heard through the grapevine that some people thought it sucked and some people thought it was great. [I] don't care. I had a fun time. I played laser beams."

She did, indeed. If anything, Ke$ha didn't think the backlash from her "SNL" appearance had anything to do with, you know, her actual performances as it did with the fact that she refuses to be categorized. In an increasingly segmented industry, she proudly — almost defiantly — sticks out like a sore thumb. A sore thumb with laser beams, of course.

"I don't use Auto-Tune. I come from a country-music-writing family, a punk-rock loving brother who gave me his records, and in a society where everything is supposed to be perfect — down to what I wear, what I look like, my body, my voice, my outfits — I'm not perfect, and I embrace it," she said. "And I think that's what a lot of people are finding not being up to par to, like, the standard that other people have set, but I'm just being real. And I think what I'm doing is good."

What did you think of Ke$ha's "SNL" performance? Let us know in the comments!

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Cam'ron Ready To Make A 'Classic' Mixtape With DJ Holiday

Posted: 04 May 2010 03:52 AM PDT

'I could do a mixtape in three hours,' Cam tells the DJ, in Mixtape Daily.
By Steven Roberts


DJ Holiday
Photo: Aphiliates

The O.D.: A Mixtape Daily Exclusive

Cam'ron has been a busy man lately.

Besides reconciling with Jim Jones and announcing the possible reunion of the Diplomats, he made a surprise appearance at Converse's Band of Ballers tournament as both "assistant coach" and basketball player, helping the Jones Family squad secure their second consecutive title. Cam's also preparing for the third release in his and DJ Drama's mixtape series, Boss of all Bosses 2.5.

MTV News caught up with Cam over the weekend at the Atlanta tourney, where we also spoke to DJ Holiday, and it seems everybody wants a piece of KFC.

"Me and Cam need to do something ... a Holiday Season or something. I know you know the brand," the DJ said, referring to his popular mixtape series.

"I could do a mixtape in three hours," Cam challenged. "Let's stop talking and do it."

"I can block out about four hours, and we knock out a Holiday Season and make a classic," Holiday said. "I know you make mixtapes with everybody, but when you do one with the kid, it's a little different experience."

The "killa season"-meets-"holiday season" collaboration was a no-brainer, said Cam, ready to cement plans. But first, Holiday said, he had some other projects in the works, including the upcoming release of Waka Flocka Flame's latest mixtape, tentatively titled Flockaveli, which he described as crazy fighting music. And with Gucci Mane's release from jail a little more than a week away, Holiday said he and Gucc would be preparing a follow-up mixtape: Writing's on the Wall 2: The Appeal.

"I just dropped that [Gucci Mane mixtape] Burrprint HD. It's in stores right now. We did 20,000 first week; #1 on iTunes. At the end of the day, we finnin' to make a movie," Holiday said. Gucci "gets home in probably about 10 days, so you already know we taking over, 10 days. Writing's on the Wall 2: The Appeal coming soon. I'm trying to win, man."

Should Cam collaborate with DJ Holiday or stay focused on a possible Diplomats album? Let us know in the comments!

For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines or follow the Mixtape Daily team on Twitter: @shaheemreid and @mongosladenyc.

The Hold Steady Evolve (But Stay The Same) On <i>Heaven Is Whenever</i>

Posted: 04 May 2010 03:52 AM PDT

'We wanted to make a more dynamic record, and I hope we did that,' guitarist Tad Kubler tells MTV News.
By Kyle Anderson


The Hold Steady's Craig Finn
Photo: MTV News

When they began in 2005, the Hold Steady set out to be the best bar band in the world. Over the course of four albums, they have steadily grown from a buzzed-about indie group playing tiny Brooklyn clubs to a world-traveling group that headlines festivals and fills theaters.

Though the Hold Steady traditionally put out an album a year, 2008's Stay Positive kept them on the road, where they visited Australia for the first time, played a massive number of festivals and opened dates for Dave Matthews Band and Counting Crows in Europe. It broke up their annual-LP pace for their fifth album, Heaven Is Whenever, which hit shelves Tuesday (May 4), but the extra time helped make the new album the group's "most musical," according to frontman Craig Finn.

Heaven Is Whenever is indeed the most dynamic album the Hold Steady have put out, with some new guitar sounds and plenty of nods to country and folk music. And Finn's trademark speak-singing has been dialed back in favor of a classic-rock croon that is one part Bruce Springsteen, one part Paul Westerberg, one part Morrissey.

It was no accident. "Every time, we try to make a record that is a little more musical," Finn said. "I think by singing, it connects vocals to music a little more. Some of it is just being more confident. Some of it is the opportunity to play literally hundreds and hundreds of shows and being on a microphone. I can certainly sing better than I could when we started the band."

"He's being modest," lead guitarist Tad Kubler added. "He sang his ass off on this record."

One thing that didn't change on Heaven Is Whenever is the continued mythology that Finn began laying out way back on the band's debut, Almost Killed Me. "It gives you a world to run around in, and when you have a lyric that references an old song, the people paying the most attention kind of get a little reward for that," Finn said. "It's like an inside joke. So you're making this world for us and for the fans."

But even though the makeup has shifted (they lost keyboardist Franz Nicolay and added new ivory tickler Dan Neustadt and a third guitarist named Steve Selvidge) and Finn sings more, it's still the same band with the same beating heart at its core. "When we finished it, everybody kind of took a break from it for a little while, and when we came back to it, everybody thought it sounded different," Kubler said of the album. "But now that we've spent time with it, it doesn't seem wildly different. We made some deliberate decisions to record in a different way. But it's still the same guys doing the same stuff. We wanted to make a more dynamic record, and I hope we did that.

"If you had to make a really grand statement about this album," Kubler added, "out of all of our records, this one is the most current."

Are you excited to hear new music from the Hold Steady? Let us know in the comments below!

'Dancing With The Stars' Season 10's First Perfect Score Goes To Evan Lysacek

Posted: 04 May 2010 05:29 AM PDT

Judge Carrie Ann Inaba calls Lysacek and Anna Trebunskaya's tango 'so sexy, so refined.'
By Kelley L. Carter


Anna Trebunskaya and Evan Lysacek on "Dancing with the Stars" Monday
Photo: ABC

After feeling like he let partner Anna Trebunskaya down in their samba last week, Olympian Evan Lysacek made it up to her and then some on Tuesday night's "Dancing With the Stars." The couple earned the first perfect score of season 10 with their Argentine tango.

"Evan Lysacek has the eye of the tiger!" Carrie Ann Inaba exclaimed before the judges awarded them with 30 points. "It was so sexy, so refined. Just the perfect combination of power and control."

Up first was ESPN reporter Erin Andrews and her partner Maksim Chmerkovskiy, who did a quickstep that the judges raved over. Last week, Chmerkovskiy was criticized for taking his clothes off, so they had a bit of fun with it and had him ripping off his pants and her skirt to reveal another dancing costume. "Erin, without doubt, your best dance. I loved your performance. Well done," Len Goodman said. Score: 27 out of 30.

The second pair to dance was Chad Ochocinco and Cheryl Burke, who did the Viennese waltz. "The pressure is on when you gotta be perfect," the football player groaned during a rehearsal. The judges were impressed, saying that this was the night Chad became a contender. "Chad, I can't believe you can be so graceful and so gentle; truly a gentle giant," Bruno Tonioli said. Score: 25.

Pussycat Doll Nicole Scherzinger and Derek Hough said they wanted to do a pure waltz, with no hodgepodge. Judge Carrie Ann Inaba called the pop singer by far the best dancer they have ever had on the show. "You're so good that you dance almost as Derek's equal. You still were side-by-side, next to each other. The connection was lacking, but the movements were gorgeous," Inaba said. Score: 27.

Pamela Anderson said she wanted to refine her technique, and her partner Damian Whitewood was determined to make it happen. Goodman called her waltz understated, and said that Anderson needs to "firm up" her upper body. "It's a very tough dance," Goodman added. Tonioli said she always gets the character right, but she "had to check the top line, which is very hard to hold constantly in these ... dances." Score: 24.

Niecy Nash and Louis van Amstel did a quickstep, but before they performed, had a rather funny exchange in their rehearsal footage. "We're like a couple who got divorced and still have to tolerate each other for the sake of the kids," Nash joked. That oddball chemistry appeared to work for the judges. "Niecy, you never looked more gorgeous," Tonioli said. "Your footwork was better than ever; your best dance to date." Score: 25.

In addition to the individual routines, the celebrities had to set aside their rivalries to do a group cha-cha, in a Madonna vs. Lady Gaga challenge. Team Gaga (Anderson and Whitewood, Scherzinger and Hough, and Burke and Ochocinco) beat Team Madonna (Nash and Van Amstel, Lysacek and Trebunskaya, and Andrews and Chmerkovskiy), earning 27 points to Madonna's 24.

Which couple do you think was the best on last night's "Dancing With the Stars"? Share your reviews in the comments.

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Hayley Williams 'Stoked' To Shoot B.o.B's 'Airplanes' Video

Posted: 03 May 2010 03:57 AM PDT

'I think it'll be a lot easier than a Paramore shoot but different and challenging in a new way,' she tells MTV News.
By James Montgomery


Paramore's Hayley Williams
Photo: MTV News

EAST RUTHERFORD, New Jersey — B.o.B's "Nothin' on You" currently sits atop the Billboard Hot 100 singles chart, and "Airplanes" — the second single from his The Adventures of Bobby Ray album — has just leapt into the top 10. The Atlanta MC, who already has a video for "Nothin'," just shot a clip for his sophomore single, albeit one that's missing a key component: Paramore's Hayley Williams, who sings the track's hook.

But all that is going to change — and soon. When we spoke to Williams at this weekend's Bamboozle music festival, the singer said she had already carved out time to shoot her portion of the "Airplanes" video, even if she didn't quite know what she had signed up for.

"Hopefully, right after this tour [Paramore's spring run with Relient-K and Fun], I'll get to do my part of the B.o.B video," she said. "I'm stoked, because I've seen a couple of treatments, and I don't know exactly what I'm getting into yet, but I'm stoked about it, because I know it'll be different, and I think it'll be a lot easier than a Paramore shoot but different and challenging in a new way. It'll definitely be shorter than a Paramore video; no 12-hour day on a chorus."

So what will Williams — who, to be honest, isn't the first person you'd think would be popping up in a hip-hop video — be doing in "Airplanes"? Good question. Paramore bassist Jeremy Davis joked that "she's gonna be on a boat with a swimsuit and a martini." But Williams said she'll be taking inspiration from some of the classics. Sort of.

"Growing up, I saw a lot of hip-hop videos. I always liked TLC, and I always liked Aaliyah videos, I thought they were great. Missy Elliott videos were amazing. But obviously, I'm not going to get in front of a camera and pretend to be Aaliyah or Missy Elliott. I mean, I'm still Hayley from Paramore," she laughed. "And that's what I think is great about it; I'm bringing a different side to what B.o.B is doing ... and I think what we do as a band actually fits in some weird way. I was looking at videos of him online, at his shows, and his crowd doesn't look too far off from, like, the kind of people we play to; same age. It seems like a good match, and I'm excited to bring whatever I have to offer to the table for him."

And since she'll be filming her portion of the video without B.o.B, it will keep one aspect of their collaboration intact: the fact that they've never actually met face-to-face.

"We've never met in person," Williams said. "We've talked on Twitter, and he's really cool. We'll never meet. We're going to perform the song live via Skype."

What classic hip-hop videos would you like to see Hayley inspired by? Let us know in the comments!

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Ke$ha On Her Haters: 'F--- The Cynics'

Posted: 02 May 2010 11:15 PM PDT

'Who would you rather hang out with: that cynical dude or me with my laser beams?,' the 'Tik Tok' singer asks.
By James Montgomery


Ke$ha
Photo: Yanina Molina/ MTV News

It's been a rather challenging couple of weeks for Ke$ha, the party-pop princess who has — for reasons not entirely clear to her — become the preferred punching bag for certain bloggers.

It all started with her April 17 performance on "Saturday Night Live," a DayGlo-and-laser-beam-enhanced set that was criticized by some as being perhaps the "worst ever" musical moment on the "SNL" set. That only gave more ammo to avowed Ke$ha haters like Perez Hilton, who had previously called her live performances "horrid."

And then there's the blowback from her hit single "Tik Tok" being featured on the opening of Sunday night's episode of "The Simpsons," which baffled some bloggers and had longtime fans of the show getting in touch with their inner Comic Book Guy.

And through it all, Ke$ha has remained quiet. Mostly because she's always made it a point to avoid reading or listening to anything the cynics have had to say about her, although she will admit that all the naysayers are starting to piss her off.

"I actually don't read anything, because I feel like the haters really like to hate out loud, [and] that people who love sometimes love quietly. So I don't really listen or look at anything," she told MTV News at last weekend's Bamboozle Festival in New Jersey. "[But] in general, f--- the cynics. Go be cynical. ... I'm having a good time. Like, who would you rather hang out with: that cynical dude or, like, me with my laser beams?"

And though Hilton has been one of her most outspoken critics, Ke$ha doesn't harbor any ill will toward him. To be honest, she doesn't really have any opinion of the celebrity gossipmonger.

"I don't really know what he thinks, but you've got to live your life," she laughed. "I don't care. I mean, do you care if I like your shirt? I mean, I do like it, but what if I didn't? Would you change it? Probably not. And you shouldn't."

At the end of the day, the thing that matters most to her is continuing the mission she embarked on with the release of her Animal album: to have fun, no matter what her detractors have to say, and no matter how loud they say it.

"One of the main things I wanted to do with this record, in this climate of the planet, right now, is just have 'f----off' fun. I'm not pretentious, I'm not a bitch, I'm just having fun," she laughed. "It's pop music, and hopefully, people that like the music are embracing that mentality, that, like there are things to be taken seriously, but ... me trying to get people to have so much fun, I don't feel like I need to be pretentious about it."

What do you think about Ke$ha's attitude toward the haters? Let us know in the comments!

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Christina Aguilera Defends 'Not Myself Tonight' Video

Posted: 03 May 2010 09:15 AM PDT

'I never claimed to be a cookie-cutter soccer mom,' singer says.
By James Montgomery


Christina Aguilera and Jenna Dewan-Tatum in "Not Myself Tonight"
Photo: RCA

Christina Aguilera's brand-new "Not Myself Tonight" video is certainly jaw-dropping, a three-minute run of barely-there outfits, extended S&M-inspired sequences and a whole lot of guy-on-girl groping.

But in an interview with "Access Hollywood," Aguilera defended the clip, saying that it shows off her wild side, which she's not shying away from just because she's a mother.

"Mama still has to be me," she said. "I never claimed to be a cookie-cutter soccer mom. That's all good for some people. Not for me."

Aguilera — who, in previous interviews, has cited her two-year-old son, Max, as an inspiration for the songs on her upcoming Bionic album — said that she doesn't think the video is inappropriate, and added that just because she's a mother, it doesn't mean that she's not also an artist, one who deals honestly and frankly with the subject of sexuality.

"[Max] is going to grow up in a household where he knows mommy expresses herself artistically and some of that will have to reflect itself sexually too, at times," she said. "He's going to learn to respect the fact that women are allowed to express themselves and not feel shameful about their bodies or their sexuality."

She added that while Max is already a fan of the songs on Bionic (which is due June 4), he's not shy about expressing his allegiance to another of his mother's pop contemporaries.

"He's really into Rihanna," Aguilera said. "And he does say 'Put in mama's song! Put in mama's song!' And then he goes, 'Go cazy! Go cazy!' It's so cute."

What do you think of Christina Aguilera's "Not Myself Tonight" video? Let us know in the comments below!

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Diplomats Timeline: From Breakup To Makeup

Posted: 03 May 2010 05:17 AM PDT

As a reunion looms, MTV News charts the Dipset's path.
By Jayson Rodriguez


Jim Jones and Cam'ron
Photo: Def Jam

For Cam'ron and Jim Jones, their reunion has mirrored their falling-out: It's been a slow and deliberate process. The two Harlem rappers and onetime Dipset allies continued their reconciliation over the weekend — inching ever closer to a return to their flamboyant ways — when they joined forces at the Converse Band of Ballers event in Atlanta, taking the championship at the celebrity basketball tournament.

It's been a long road for Cam and Jones. Here, MTV News recounts the duo's path from breakup to makeup.

» In 2005, the duo were poised to take over the rap game when Cam'ron inked a deal with Asylum Records; Jones served in an executive role at Warner Music Group, of which Asylum was a subsidiary.

"We playing both sides of the fence," Jones told MTV News at the time. "We got the executive chairs, so we could be executives for the rest of our lives, but we still making good music right now. We getting the game popping."

» A year later, rumors about the pair's fracturing friendship were spreading so quickly, Jones addressed the topic, albeit begrudgingly: The pair appeared together (along with Juelz Santana), in a show of solidarity, for Jones' "We Fly High" video.

"I tend to be on the defensive side, so you got to pardon my demeanor when you see me, but I'm a happy, loving dude," Jones said about the rift. "I was tired of people asking me that dumb sh--. Like, leave me alone with that."

» By 2007, Cam'ron had grown reclusive, furthering talk of discord between him and Jones. What most fans didn't know at the time, however, was that Cam'ron was tending to his ailing mother. His decreased visibility only stirred up 50 Cent, who was embroiled in a feud with the MC.

"He's doing more damage to his crew than I could ever do," 50 told MTV News about Cam. "He's put them in a real awkward situation with his choices. When they had momentum, they had Jimmy [Jones] out there doing records, Juelz was out there, they was doing good. Then they let this guy out there, and look what happened."

» Soon, Jones, emboldened by his own rising stardom, began speaking publicly about his "feud" with Cam'ron, whom he said was "on punishment" during a Hot 97 interview. Jones not-so-subtly hinted at the root of their problems in an interview with MTV News.

"Shouts to Cameron," Jones, using the rapper's full name, told Sway in July 2007. "We going through our little differences and things like that. When you come up in this game, loyal to a [fault], you look to certain people to always take care of you above and beyond, because you'd do the same thing for them.

"And, of course, there's a lot of money at stake here," he continued. "And no matter what anyone tells you, when money comes into play, people do change in certain ways and things like that. Because we didn't grow up with this type of money we playing with now, so it's only [normal] that you're gonna change in some aspect. But for us, loyalty is everything, and when you break that code of honor a little bit, it tends to make the water rough."

» Cam'ron emerged from his self-imposed hiatus, and in an interview with Miss Info in November 2007, the usually outspoken rapper turned reserved when asked about Jones. Cam denied he had any issues with his Dipset partner — or his friend's newfound stardom.

"I still haven't spoken to Jim," Cam explained. "Everybody thinks I'm mad at Jim. Why am I mad? I told people for years that Jimmy was gonna be a star, so it's better on my résumé. I wish him the best."

» Lost amid Cam'ron and Jim Jones' falling-out was Juelz Santana, who was tight-lipped as bad blood simmered between the two stars. But Santana broke his silence to MTV News in 2008, revealing he, too, was estranged from Cam. Later, he told Miss Info he was no longer signed to Diplomats Records, Cam'ron's imprint. Santana told MTV News that he could no longer work with his former mentor.

"I have no hard feelings towards Cam," he said. "I tell people I couldn't do business with him. But I will say he gave me the biggest chance I needed. I'm a dude from the 'hood, so the chance he gave me is a chance I needed to never turn back. I'm good. My artistry, my talent, my career was never built on controversy. So I would never come out and say a whole bunch of things that could be said. All I can say is, I'm sorry he can't be here to be a part of what's about to happen, because we're about to tear 'em up."

» Cam'ron and Juelz were soon chirping back and forth in the press: Cam accused Santana of a cough-medicine dependency in an XXL interview, a charge Juelz Santana emphatically denied, attributing Cam's claim to nothing more than a cheap marketing ploy for his album. (As of press time, it was still unclear whether Cam'ron and Santana have repaired their relationship.)

"For him to say he stop messing with me because I was drinking syrup — that's like Baby saying he doesn't mess with Wayne because he was drinking syrup," Santana told MTV News in February 2009. "He just wanted to say something, and that was probably the only way he could say something and keep his character up. I was never addicted to syrup. I used to drink it on occasion. I don't know where that came from.

"[His comments] were a shocker to me, like, 'Damn, you would stoop low like that?' With his stomach situation, he was doing Percocet. It's not for me to say, 'Because he was using Percocet, I stopped speaking to Cam.' You'll say, 'I do Percocet because of my stomach.' But I've seen you do Percocet when your stomach is not bothering you. So that's besides the point."

» Last year, Cam'ron seemed to soften his stance, revealing in an MTV News interview that he and Jones talked to each other for the first time in three years; Jones, though, denied such a phone call had ever happened.

"It was cordial. He knew it was me," Cam said of Jones. "He said we was gonna holla — maybe we'll put something together. But in the immediate future, I'm just doing Cam. But you never know what can happen down the line. I called Zeke's phone, and I guess Zeke gave Jim the phone to pick up. We just talked, asked about each other's family. He said he's on a promo tour. He'd be back soon. That was that."

"I don't know what that's about," Jones countered to Sirius XM radio host Angela Yee. "Everyone's been telling me about that. I'm the only one who doesn't know about it. I don't know what he's talking about."

» Any hopes for a Dipset reunion were dashed when Cam'ron declared the once-mighty crew was "a wrap." Juelz also confirmed the crew's official split in April last year. "Basically, to be honest — it's a wrap," Cam told MTV News. "I called Jim. Everybody has not been speaking for the past three, four years. It just got in the public. Once the problems get in the public, to me, it can't be fixed."

"It kind of makes me feel good, 'cause it lets the people know you don't have to ask me that [reunion] question," Santana fired back in an interview with MTV News. "He's telling y'all, 'No matter what the fans want, I'm not doing it.' It takes a load off my back. Cam gave y'all the answer. He's the boss. He's always been the boss. I never tried to take that [away] from him. It is what it is. I'm moving forward. We all got kids. I got family, my peoples got families. We're moving forward."

» Then, two weeks ago, Cam'ron and Jim Jones shocked the hip-hop world when they phoned Hot 97's Miss Info, together, telling her they were "getting back on track." Cam confirmed the news but explained later that business details needed to be ironed out before the Diplomats could reunite on wax.

"It's 2010, and this is something I gotta get off my chest," Jones told Miss Info. "You've known us from back when we didn't have what we have now, so you remember that, above all, me and Cam, we still brothers. And we're building on getting back on track, but first, I apologize for being a rude brother, for saying things publicly without first trying to handle them privately. I apologize for not leading by example, because what I didn't realize at the time, I was venting, but it wasn't all about me. There were other people whose dreams were also part of this movement."

"Me and Jim are speaking. I don't want people to think me and Jim aren't speaking," Cam said. "We speak a few times a week. Right now, we talking out the business. The deal is on the table. But until the business gets situated, it's [Cam's group] the U.N.; me and [protégé] Vado. We not about to stop. All the bosses meet at the roundtable.

"To be honest, we missed out on a lot of money on the Diplomat thing the first time," he added. "I'm not moving on nothing Diplomat until the business gets done. But it's close to getting done. Right now, I don't want to mislead nobody and say it's not U.N. right now."

Are you optimistic about the chances for a Dipset reunion album? Let us know in the comments!

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Lil Jon's Revamped <i>Crunk Rock</i> Trades Rock For 'Lifestyle' Music

Posted: 03 May 2010 05:01 AM PDT

'We live life to the fullest — that's what crunk rock really means now,' he tells MTV News.
By Jayson Rodriguez, with reporting by Sway Calloway


Lil Jon
Photo: MTV News

Lil Jon once proclaimed "crunk ain't dead," and these days, he could easily rework that former mantra in support of his long-delayed Crunk Rock album.

The long-in-the-works project finally has a release date set, June 8, and Jon is in full promo mode behind the project. The album, in the works for four years due to a feud with his former label, transformed over time from a rock-leaning effort into one that reflects his new life as a working DJ.

"Initially, when I started work on it I was collaborating with a lot of rock producers and rock musicians," he told MTV News. "And then, as time progressed and as I was going through stuff with the label and as I was DJing again, then I got the new deal and so on and so forth. The new energy started to come around me by being in the club. It started meaning we're crunk all the time, we party like rock stars, we live life to the fullest — that's what crunk rock really means now.

"Because there's so many different kinds of Lil Jons that's on this album that it's not just rock and roll," he added. "You got some rock kind of collaborations, but you got some electro collaborations, you got crunk music, you got dance music, you got all kinds of stuff, Bali funk. We got so many different kinds of collaborations on the album that it changed really into a lifestyle. We live like this."

Crunk Rock features an array of producers, including David Guetta, Drumma Boy and Steve Aoki, whom Jon recently worked with on the DJ's own project. Pitbull, R. Kelly, Mario, LMFAO and 3OH!3 are among the collaborators who chipped in to help Jon on the album.

The producer said he took a step back from manning the boards on Crunk Rock to help him reset and recharge after his battle with TVT, on which he released a number of albums before.

But the beatsmith, who has scored hits for Usher ("Yeah!") and E-40 in the past, said fans should expect to hear him on upcoming projects by Flo Rida and Pitbull, among others.

Last week, Lil Jon premiered his latest video, "Outta Your Mind," featuring LMFAO, the lead offering from Crunk Rock.

Are you excited to hear new music from Lil Jon? Let us know in the comments!

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Damon Dash Resurrects Roc-A-Fella To Start A 'Positive Movement'

Posted: 02 May 2010 10:58 PM PDT

Re-launched label's first release will be Curren$y's Pilot Talk, in Mixtape Daily.
By Shaheem Reid


Curren$y and Dame Dash
Photo: MTV News

Executive Decisions: Dame Dash

When Damon Dash pulled a Roc-A-Fella chain out of his vault several months ago and presented it to Curren$y, it was just a celebration of their friendship. Now, the chain means much more. Dash is resurrecting Roc-A-Fella Records and plans to make Curren$y's Pilot Talk the label's first new release on June 15.

"I think we just having fun, really," said Dash, sitting in his office at DD172 next to Curren$y. "[Curren$y] inspired me to dust off the chains. We brought 'em out for kicks, just 'cause we could. Then we was like, 'F--- it, let's put it out through Roc-A-Fella.' It was really more something he wanted to do. Basically, 'cause we havin' such a good time, and the opportunity's there, we was like, 'Why not?' "

"What that means, what that shows me, is that dude thinks as highly of me as I do him," Curren$y said about releasing an LP on the label Dash co-founded with Jay-Z and Kareem "Biggs" Burke in the mid-1990s. "I know what's behind that. We all know and the fans know what that represented at the height of it. The aesthetic of it."

Dash said he hadn't been having "fun" in music since he, Jay and Biggs dissolved their partnership several years ago. But meeting and working with artists such as Curren$y and Jay Electronica who come through his DD172 facility brought the old feelings back.

"The funny thing is, people don't know that Roc-A-Fella wasn't meant to sell records," Dame said. "It was meant to show the respect and the honor amongst each other as friends. It was a friendship thing. That's what people liked. It's what made Roc-A-Fella appealing. It's odd, because I f--- with [Curren$y]. I kinda like him. When I met him, I wasn't as familiar with his music. My nephews and Sean O'Connell put me up on him. I liked him as a friend. Then I start seeing he's super nice with the rhymes, then I started seeing his influence. It's similar to the way we felt back in those days. It's working out."

The last album to come out on Roc-A-Fella was Jadakiss' The Last Kiss in April 2009. The label had been under Jay-Z's sole custody since the breakup of Hov, Biggs and Dash.

"Def Jam or Universal bought the brand. I think the 'beef' [with us and Jay-Z] was that Jay made it clear he didn't want me or Biggs to be a part of it. That's really where it was at. Now that he doesn't work for Def Jam anymore, he doesn't have the right to use the name. So there's no reason for us not to use it. It's there, and it's a brand that's not being used. So I was like, 'I'll take it.' It always meant something to me."

Dash said he and Curren$y are pushing a positive message about friendship and evolution.

"It's a way more positive movement," he added about the label's new incarnation. "It's what I wanted Roc-A-Fella, what I thought it should be 10 years after I started it."

Dash said he secured the new deal through L.A. Reid and Def Jam, which will serve as a distributor for his records.

After Curren$y's album, the next project coming off Roc-A-Fella will be Ski Beatz's 24 Hour Karate School mixtape.

Reps for Jay-Z were not reached for comment by press time.

What do you think about Dame Dash bringing Roc-A-Fella back? Let us know in the comments!

For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines or follow the Mixtape Daily team on Twitter: @shaheemreid and @mongosladenyc.

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